#imagine the fashion tips I'd get
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ajaxbell · 9 months ago
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Tan Jianci's year in review, in case we needed a little dose of every great thing he did (and we do need it!).
This video is 100% worth the watch for--well all of it--but also for the swagger walk in the leather jacket int he beginning and the brief shot of him with the Xiang Liu hair but in a denim vest.
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workingbynyx · 9 months ago
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Hi! I was wondering if you'd be interested in writing headcanons of Jason Todd as the reader's boyfriend? Probably like the general dynamic of the relationship, love language, etc. Whatever you think goes best! :)
of course! i can finally use my hcs of boyfie jason to good use oml i have so much in store for you loves 😚
(this has been sitting in my drafts for so long and now that its almost v-day i think its pretty fitting to post this <3 also pls remember that these are my personal hcs so some may be entirely ooc but this is how i imagine him to be okay 😭)
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Very affectionate behind closed doors
Jason wasn't a very clingy person to begin with. in fact the first time you held hands you swore you saw drops of sweat drip down the side of his face, it's hilarious. it took him a while to get around giving physical affection but once he did, hugs and kisses are non-stop. he'll either give you quick or aggressive but gentle kisses or would simply ask you to climb onto him on your shared bed and lay your head on his chest as he sleeps. he'd search for your hand and give it a squeeze when the both of you are in a big crowd (ex; galas, parties) or just rest his hand on the small of your back— as intimidating he might seem, he's just a big baby in your hands.
A pretty decent cook, to say the least
Could be an unpopular opinion but i'd say Jason isn't all too bad in the kitchen, he can pretty much fix up a simple meal if he wants to. The man could either fuck up the microwave or invent a whole new recipe just to fit your cravings, there's no in between. He doesn't want to admit it but he has a secret folder in his phone of all the recipes to your favourite dishes from lunch meals to deserts; so now on every occassion, you can expect waking up to the fresh scent of your favourite food set on the table <3
Midnight joyrides are the best
Do y'all know those tiktok accs that own a motorbike and just drive around with their partners sitting behind them? That's exactly how i imagine what it would be like to be Jason's partner 👊👊 literally like; "bubs put on your helmet" "are we going out? at this time?" "what, you don't want to?" "well, yeah i do..." "good, i'll have the bike out front then" then you guys just drive around on his bigass bike zooming through the city. He'd also have his hands run down your leg that's straddling him from behind at every stoplight possible wkehwjhejwhd
Getting out of bed is almost impossible
The first time you two moved in together was really exciting, waking up finding yourself beside the love of your life sleeping peacefully to eating breakfast and dinner with them too. But as time went by, it became almost your mission everyday to get out of bed without being held back by Jason pulling you back under the sheets. You'd have to be sneaky to move his arm that's wrapped around your waist before his reflexes react soon enough; "mmh, going somewhere?" "jay, i gotta get to work" "10 more minutes love, i promise. I'll just drive you there it's much faster" "you said that 5 minutes ago— i'll be late again!" "are you saying you'd rather leave me alone?" "jace i–" "mhm exactly, so stay a'ight? you could just tell them you caught that flu" "i already did...two days ago..."
Absolutely adores your eyes, hands and waist
I'm a firm believer that Jason is a certified waist-grabber !!! you can expect the rough tips of his gloves glide over from your back all the way to your waist once he comes home from work. He also looooves looking into your eyes and see his reflection in them, the same eyes that showed nothing but pure love and kindness to him. And he also likes your hands; the size difference when you compare them, how they wrapped around his own, and how they cling onto him every chance you get. He thinks it's such a cute mannerism (if you have them too)
He asks for fashion advice, sometimes
Jason'll probably throw on a shirt, jacket, pants and boots then call it day before he met you— but he's even conscious of how colors looked on him now. You were his stylist, often picking out clothes and giving him new looks that you think looks best on him just because he once saw a photo of him and thought the shirt and pants he had didn't match at all. Jason always thought clothes only consists of hoodies, sweatpants, shirts, but now even knows what 'preppy' clothing is after you explained it to him.
His love language is words of affirmation and physical touch
This may vary to some people but i do hc Jason's love language to be words of affirmation and physical touch. Words of affirmation; only because he absolutely loves it when he tells you what he genuinely thinks of you at the moment. "You look great in red", "i'm proud of what you did there", "i love you, y'know that right?", "you look so gorgeous, i'm lucky to have you" and physical touch; because he's totally convinced he can't live without you by his side. Jason would want to be next or near you at any given chance, he'll have you scooted beside him while he reads a book or gently rub his hand against your thigh when he's focused on a movie. Your presence alone gives him the comfort he's always longing for in nights that he's away from home, and you'd glady give it to him.
Very protective over you
It's probably a known fact that Jason is a protective person but when it comes to you he can be over the top in making sure you're okay (especially when you're also a vigilante/hero working with him.) You'll always have to assure him that you're fine and not bleeding to death with a papercut or when you accidentlly stub your toe against the bed. But when you're also a crime-fighter like him, best believe he'll always have you stay and guarded behind him. You had to explain so many times that you could also take care of yourself like he can, though it's understandable why he acts that way most of the time.
Acts all tough, but melts when you're around
Around the times when Jason still had a lil crush on you, he'd never let his guard down and likes to appear cold or tough. But once you were dating he's an absolute shy babe even with the smallest gestures or compliments you give him. He'd only crack a smile at the side comments you make but is mentally falling apart. Or when he can't keep up the act he simply dips his head in the corner of your neck and stay there til he stops blushing like a teen getting his first kiss.
Is a part of the sassy man apocalypse
Sometimes, you question if this man is simply your bestfriend or your boyfriend of how many years. The amount of bickering the two of you end up having is like watching two friends fight over peanut butter vs chocolate. You'd suggest a book you've been reading that he absolutely despises and have a debate right there and then. It's almost like that one Friends scene when Joey and Rachel were giving spoilers back to back at each other LMAO. The man also has an unhealthy habit of popping a hip whenever he stands, your gallery would probably be filled with pictures of him in that stance alone.
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minminyoonjii · 6 months ago
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Forever clawing at the cement walls that surround me for needing to call Felix mommy
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❤️Ultimate Masterlist
💜Rules and Guidelines
🕯Summary: There's nothing a good old-fashioned BJ can't fix, especially when you're stressed.
🌹CW
Fem Dom! Reader|Heel Grinding|Oral Sex|Blow Job|Oral Fixation|Messy Head|Edging|Praise Kink|Wet & Messy|Voyeurism|Mommy Kink|Pervert! Jisung|Aftercare
You sighed, rubbing your sore neck, "Baby?" you questioned, closing the front door behind you. Felix peeked his head out of his room, "You're home early," he pointed out, walking towards you. "Yeah. Is that a problem?" you teased, leaning forward. Felix chuckled, placing a peck on your lips, "Nope, not a problem at all. I was planning to bake something later if you want to join," he prompted, biting his bottom lip.
"I'd love to," you said, pulling him in for a hug. "Maybe we could catch a movie or two after," you suggest, squeezing him close. Felix giggled against your chest, "Sounds great," he said, looking up at you. "Call me down when you want to start baking, sunshine. I need to wash up," you groaned, rolling your shoulders. Felix smiled, "Sure can do, I'll set an alarm," he said, making a beeline towards his gaming room. 
You stripped off your clothes, setting the water just right before getting in. The feeling of water coaxing your skin instantly made you relax and soon thoughts began to pour. Some pure and some filthy, you imagined how the rest of your day would play out. Baking and then cuddles sound absolutely perfect but an itch deep within your brain thought of less wholesome things. You shook your head, blaming the heat of the water for your dirty ideas.
The thoughts spiraled from sucking Felix off before the timer rang or pinning him against the kitchen counter while he's stirring the baking batter. "Fuck," you whispered, pinching your cheeks. You sighed, getting out of the shower, "I need a drink," you mumbled to yourself, tying a towel around your body. You walked towards the kitchen, searching for anything cold in the fridge to subdue your thirst. 
A loud thud came from Felix's room, "What is the healer doing, we're getting crit here," he groaned, tossing his headphones in frustration. You knocked on the door, making him flinch, "Are you alright, baby?" you asked, opening the door. Felix nodded, "Yeah, just shitty teammates," he grumbled, crossing his arms. You cooed, placing a kiss on his forehead, "You'll get them next round," you encouraged. Felix's cheeks burned, noticing that you were only in your towel.
You furrowed your eyebrows at his silence, "Ah," you chuckled, seeing his agape jaw. Felix closed his mouth when you tilted his chin up. His eyes waver under your stare. The shower thoughts from earlier came forward again but this time you weren't going to stop them. You got on your knees, cleavage perfectly plump for him to stare at, "Do you want this baby?" you whispered, seeing Felix quickly close his game tabs.
He nodded, "Please, Mommy looks so pretty," he whined, gripping his seat. You cooed, "Can you do something for mommy before that?" you asked, hand grazing over his obvious bulge. "Yes, yes. Anything mommy wants," Felix said, eager to please you. "Good boy. Now turn on your recording system and plug in your mic, sunshine. Mommy wants you to hear yourself fall apart," you purred, pulling down the zip of his pants.
Felix moaned at the idea and did what you said, "Mommy," he keened, bucking his hips against your palm. You hummed, rubbing your throbbing clothed cock. Precum leaking through the tip. "Hah, Hhgh," Felix mewled, back arching to feel more. You chuckled, pressing your thumb between his clothed slit, drenching his boxers in slick. Felix sobbed, "Mama, mommy. No mo-more, teasing," he whimpered, aching to feel your mouth or hand around his cock.
You cooed, "Aww, but you're so pretty, sunshine. Look at the pretty mess you made," you said, showing him your slick-covered hand. Felix whined, pulling your wrist towards his mouth and taking a lick. You chuckled out a moan, "Mommy's dirty little prince, aren't you," you praised, tugging his boxers down to his calves, letting his cock slap against his plush tummy. "Mommy's prince," Felix mewled, tossing his head back when you finally stroked his cock.
"Moan for mommy, sunshine," you purred, pumping his cock within your palm. Twisting your wrist at his throbbing cockhead. Precum leaked all over his thighs. "Ah, hah, hah, ah," Felix panted, lips wobbling from pleasure. You gulped at the sight of your lover falling apart, "Fuck it," you grumbled, tapping his cockhead against your tongue. Felix squealed, staring down at you with half-lidded eyes, "Too much, it's too much," he babbled, overstimulated by your stimulating tongue working his slit apart.
You moaned, wrapping your lips around his cockhead just to hear him cry from the pleasure. Felix sobbed, thighs trembling at the waves of arousal buzzing through his body, "Need to cum, Mama," he cried, his cock throbbing on your tongue. You hummed, sending more stimulating vibrations. Felix sucked on his bottom lips, abs tensing from the appending orgasm. You smirked around his cock, waiting for the moment his body arched and you pulled off.
Felix sobbed, tears spilling down his cheeks at the denial, "Mo-mommy!" he sniffled, his cock hard and aching. You shifted your body, heel placed directly on your bare clit, "Aww, I know pretty baby. Mommy knows," you cooed, licking a stripe up Felix's shaft. He keened, gripping the seat hard. You blew on his warm cockhead, smiling at the way he shivered, "Just relax, yeah?" you whispered, flattening your tongue to take his cock to the hilt.
"Shit, shit. Feel so good," Felix slurred, eyes rolling to the back at the warmth engulfing his cock. You bobbed your head at a relentless pace, his cock head making a filthy 'pop' sound every time he slid perfectly down your throat. Felix thrashed in his seat, his body quivering from the immense pleasure. You ground your hips, chasing your own orgasm as you swallowed around Felix's cock. "Cum-cumming," he wailed, digging his nails into the seat.
You sucked, gulping down every last drop. Felix mewled, his body convulsing as your mouth held a tight suction around his cock. You moaned, eyes rolling back as you came, soaking your feet with slickness. Felix's body twitched, cumming again from the overstimulation. You pulled off his cock, laying your head on his thigh. Felix lay spent, "Kiss," he rasped, jutting his bottom lip. You chuckled, wobbly standing up to kiss him.
Felix melted into your warmth, "Thank you, Mommy," he whispered, nuzzling your chest. You cooed, patting his hair, "Anytime, sunshine," you said, kissing his forehead. "You forgot to mute our call," Jisung said, jolting Felix from his daze. You shifted his messy tabs and pulled up Discord, only to see a flustered Jisung on the other end, "Didn't Chan teach you privacy, Ji?" you smirked, eyeing his oddly placed lotion on the desk.
Jisung whined, "How is it my fault your boyfriend is dumb," he grumbled, crossing his arms. "Hey, I'm not dumb," Felix retorted, glaring at the screen. You rolled your eyes, "You should've stopped listening the moment you heard him moan, Ji," you teased, turning on the camera. Jisung gulped at the sight, the both of you disheveled with post-clarity evident on your faces "Sounded hot," he mumbled, looking away. You smirked, "What was that?" you asked, raising an eyebrow.
"Ugh, you both sounded hot now fuck off," Jisung rambled, ending the call. You looked at Felix and instantly burst into laughter, "Do you still want to bake?" you asked, wiping a stray tear. Felix nodded, "Yeah, just let me wash up and we can start," he said, pulling you in for another kiss. 
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animasola86 · 1 year ago
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NSFW Hogwarts in the 1890s Headcanons
Convenient Plot Devices (to make my smut more believable)
(aka Nurse Blainey is a very supportive and progressive witch doctor!)
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Every girl over the age of 15 (sometimes earlier) is required to take contraceptive potions as per request by Nurse Blainey who had to deal with horny teenagers and their lack of mind for consequences for too long.
Boys don't have to take them, but can if they are so inclined.
Very reluctantly, the recipe for that potion is taught by Professor Sharp in the Sixth-years' Potions class.
There are potions for every ailment (usually provided by Nurse Blainey), including aftermath soreness or the "potion after" if a witch/wizard forgot to take their contraceptive potion.
There were indeed condoms*, but not every wizard carried them, so the potions and/or a quick disappearing spell had to be used to prevent pregnancies.
*Condoms were usually distributed in barbershops in the late 19th/early 20th century (according to Wikipedia) so I imagine Madam Snelling selling them under the counter in her hair salon.
There is no sex-ed class in Hogwarts, but again, Nurse Blainey is the first to hand out informative literature* or reading recommendations.
The Restricted Section of the library has an entire room filled with erotic fiction, anatomical books and various guides to help out the eager witch or wizard.
*Informative literature included tips and guides for the uterus-bearing population on how to deal with bleeding. As early as 1890, probably even earlier, there was the "invention" of pad-belts/sanitary belts in Victorian England, those were re-usable and I can imagine even easier to use for witches because instead of cleaning them the old-fashioned way, they could just clean them with a swish of their wand. (Read more on the history of menstrual pads here if you're interested.)
Ignatia Wildsmith has seen more horny teenagers making out in front of her Floo flames than people actually using that way of travel.
Ghosts see a lot of things and mostly they don't care about it, unless they are Richard Jackdaw* who likes to stalk those horny teenagers more often than is appropriate.
*Shameless plug: I wrote a smut piece about our favorite horny ghost called The Horny Ghost (how creative).
"Silencio" is the most used spell in the dormitories, boys' and girls' alike.
Hufflepuffs are the only ones who don't have curtains around their beds! But I bet they can think of other devices to get some privacy. Maybe they're masters of the Disillusionment charm!
On that note: only Ravenclaws have their own in-house bathrooms - with actual bathtubs! Slytherins have to leave their common room, and Gryffindors and Hufflepuffs have to walk quite a while to find the nearest bathroom. [Correction: there are bathrooms, one with stalls, one with stalls and bathtubs, in the Gryffindor common room, but only on the girls' side! (Thanks to @mianeryh for pointing that out!)]
But this is a post about HCs, not actual fact/pointing out lazy game design, so I'd like to imagine that all houses have at least one communal bath/bathroom area very close to their dormitories.
*By the way: In the Slytherin, Gryffindor and Hufflepuff common rooms, the girls' dormitories are upstairs, so they have the stairs turning into slides whenever a boy tries to access them, whereas in the Ravenclaw common room, the girls have to go down the stairs and are "only" protected by two suits of armor guarding the way, which in turn makes it easier to sneak past!
Popular make-out places are: the boat-house, the underground harbor, the loft above the Great Hall, the kitchens (poor house-elves), the Prefects' bathroom, the Restricted Section of the library, any dark empty hallway, any empty classroom/storage room, the Undercroft and the Room of Requirement (if they know of them), ...
*Honestly: anywhere is possible in the large castle that is Hogwarts!
Let's talk fashion: we've all seen the HL undergarments of girls and boys, right? Here is an amazing guide by @tamayula-hl about period accurate clothing and their uses in smut writing, very informative!
So based on that I also believe that horny teenagers got tired of all those buttons and layers very quickly and learned spells to make the undressing easier, and/or used "Evanesco" to get rid of clothes entirely (and conjured them back afterwards) - though tbh, I, as a smut writer, don't care too much about how they get naked. They're wizards/witches, they have their ways!
My most used clothing device apart from simple spells: the convenient flap at the front of boys' breeches.
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FANFICTION MASTERLIST - KINKTOBER - AO3
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minispidey · 1 year ago
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02: Barbie and the Giftshopist.
Steven Grant x f!bimbo!reader. previous part. series masterlist. next part.
02. He's just Steven (and Marc, and Jake)
a/n: i'm not like fully knowledgeable of DID but i did some research! if u guys can give me some tips/ point out my mistakes, i'd be happy to hear it and edit. i just really do need some help 🙏🏻 i've never written a system before and i'd love to hear some advice
(series tags are open!) tags: @3zae-zae3
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"Morning, Stevie!" you started calling him Stevie not even a week after you moved in. Sure, he hates it when Donna calls him that, but god did it sound so beautiful when you say it.
You two walk out at the same time everyday, bothered by some of the sellers on the street blocking the door "Excuse us." you say as they made way for you and Steven. A vintage pink corvette was your way of transportation while Steven chooses the bus, but you weren't in a rush today "Stevie! I'll give you a ride. Get in."
Steven blushed, shaking his head "No no, it's fine, love." hearing him call you love made you accidentally kick your leg up. You stared confused at your leg before turning your head towards Steven again "Come on." you pouted.
"I'm serious— oh, bollocks." he drops his keys by accident "I'm alright."
You drove by his side slowly "Stevieee get in. I'm not letting you take the bus when I have a car."
"It's just-"
"Is it because it's pink?"
"No! No, not at all. I don't want to be a bother, that's all." he sighed.
"Steven. Get in." you pull down your sunglasses "I'm not taking a no for an answer."
"Yes, ma'am." seeing you so serious had him flustered. Maybe it's a weird kink he developed after knowing you were a lawyer.
He sat in the passenger's seat and buckled his seatbelt. You smiled at him before fixing your sunglasses "Okay! First stop, the museum."
Steven knew everyone's going to stare at your pink car. He just never expected so many people turning their heads towards you too. You were beautiful and radiated beauty and sunshine, you were an attention grabber.
He just imagines you in all pink in your firm, in a room filled with blue and black suits. He thought it was cute.
"Do you have like, a license? You can take my car on my days off."
"You don't have to." Steven shook his head "Really, you're too kind."
"It's alright! Whatever makes your life easier." you flashed him one of your bright smiles "I can drop you off every day if you wanna. I'm not as busy anyways."
"Take the offer, Steven. Beats having to cramp in every day." Marc says from the reflection of the right side mirror. Steven shook his head before turning towards you "It's fine, love."
"Come on. Rent's hell. Let me save you some commute money, okay? I may be fashionable, but I can be such a cheapskate-" the car comes to a sudden halt as you snap your head towards a shop window. Steven was pushed forward but thankfully held by the seatbelt "What's wrong?" he breathed out.
"What time do you have to go to work?"
"Before ten. Why?"
"It's eight. Do you mind making a short stop with me?"
Shop assistants surrounded you as you worked your magic "Ooh, and this one. Do you have it in pink?" you giggled as you slipped on another heel "Okay so like, the trick is to ignore the assistants." you whisper to Steven "They'll sell you anything in full price. Head straight to the expensive ones before slowly going to the ones on sale."
Steven nodded as he listened to the advice you gave. He felt a bit nervous as you spoke to the shop assistants, you seemed so confident as well. In contrast, Steven felt fairly awkward and he was just observing how you interacted with the people around you.
He was very intrigued by the way you were trying on shoes, the way you were talking about it with the shop staff— he couldn't explain what exactly it was that he found attractive about you, and it was slightly annoying him.
"Chica está loca..." Steven looks at the full-length mirror, Jake was staring right back at him. He raises an eyebrow at Jake "She's crazy. I've never met a girl who wears so much... pink."
Steven was about to talk back when you pull him to the counter, swiping your card and taking your shopping bags "Okay, so like, I got fourty percent off. I have a loyalty voucher." you two made your way back to your car, stuffing your bags in the back "Thanks for coming with me, Stevie. Well, you didn't have a choice anyways."
"It's alright, really. It was... fun." he smiled at you, getting inside the car "Never really shopped with anyone before."
"Really? Not even with friends?"
"Don't have any."
"Aw, how come? You're so fun to be with."
Steven's heart skipped a beat. He stared at you with bright eyes as you drove. He felt his face heat up. When he turns his head to face the side mirror, he finds Marc judging him.
"You've just met her, huh?"
"Shut it..." Steven mumbled under his breath, looking away from the mirror. He watched you, still smiling as you drove. It was like you weren't real, like you were too good to be true. If he had known years ago a woman like you existed, he would've searched for you everywhere. But you landed right outside his flat.
"I don't think I can pick you up after your work, training interns and all." you stopped near the steps "I'll see you later, Stevie."
"You don't have to, it's really okay." he blushed "I'll see you around, love." he got out of your car, looking back at you as he walked up the steps. You pushed your sunglasses down and waved back before driving away.
After an exhausting day, you drove back at 1 am. You shoved your files in the back seat with your shopping bags and rested your face, your signature smile falling from fatigue.
The streets of London were quiet, only the crickets' mating call filling the cold air. You rub your eyes, some of your mascara rubbing off "So tired..." you sighed as you turned the car to the right.
Though your sleepiness immediately went away when you spot a ridiculous ugly-patterned shirt. It was Steven walking back.
"This late?" you whispered to yourself. You sped up a bit to catch up with him "Stevie!" your cheery voice halted the quiet night.
His head turned towards you, a scowl displayed on his face. Though his eyebrows softened upon realizing it was you.
"Don't they have buses out late? You poor thing. Get in." you smiled as you unlocked your car, allowing him to enter.
"I should've totally given you my number. If I only knew you'd be out late like me I would've picked you up." you let out a yawn before continuing "I'm not that busy, I swear. Like, I'm a lawyer but I know how to manage my time."
As you went on and on, Steven just sat there and listened to you.
You parked your car and stepped out, trying to get all your shopping bags in one go. But Steven stepped in and helped "Aw, Stevie, thanks so much!" Steven looked exhausted too.
You talked more in the elevator, detailing how frustrating your day was at your firm before walking to your doors.
"-and he was like no and I was like totes! And he was like noooo and I was like, definitely!" you giggled "Whoever said orange is the new pink is totally disturbed."
You unlocked your door and let Steven in to set your bags down. He went to step out afterwards when you pulled on his sleeve "Thanks so much again, Stevie. You are like, too good to me. We should totally shop again some other time! Goodnight!" you placed a kiss on his cheek before closing your door.
He froze in place, staring at your door before unlocking his own door and getting in. He breathed in the cold air before walking to his fish tank, feeding the two fishes before his vision focused, looking at his reflection on the glass.
"Marc! What was that?!"
Marc looked back at Steven "It's nothing."
"Back off. I really like her, okay? There. I said it."
"You kissed my wife and your crush kissed me on the cheek."
"I said I was sorry."
Jake spoke up, appearing from a small mirror "You like her? Dios mío, that woman wears a lot of pink. What is it about her? Is it because of the car? I have a limousine."
"No! She's- she's really nice."
"Be more specific, amigo. Nice isn't how you like someone."
"Enough." Marc shakes his head "Steven, if you like her then go ahead. But just don't get attached."
"What do you mean?"
"I have Layla— we have Layla. I'm married to her. You can have a crush on your little neighbor, sure, but it's not like you can date her."
"Marc... come on, I have my own life... we have our own lives. What if I decide I want to date her? What if I really really like her, you know?"
"I don't know." he sighed, scratching his eyebrow "It's gonna be complicated, you know that."
Steven let out a sigh, looking down "I-I know... but I just... I just really like her."
Jake on the other hand was deep in this own thoughts. Marc heads to bed when Jake fronts, taking over the body. He cracks his neck before walking out and knocking on your door.
You were just about to take off your makeup when you head his knock. Your fluffy pink slippers squeaked as you made your way to the door, opening it "Stevie? Did you miss me already?" you giggled.
"Do you want to go out with me?" Jake put on his best performance, speaking in a kind of shy British accent.
"Out? Like, a date?" you blinked twice.
"Yes."
Jake understood now. He saw the way your eyes sparkled and your blinding smile "Oh my gosh, yes!" you squealed before covering your mouth, looking side to side across the halls, worried you might've woken up your neighbors "Yes. Let's go out. Uh, maybe lunch? I'm free."
"That's alright with me." he nodded.
"Alright." you couldn't help but smile like a fool "Goodnight, Stevie."
"Goodnight..."
After closing your door, you silently screamed, jumping up and down in excitement. Your exhaustion suddenly disappears as you start planning out your outfit for the morning.
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kaciidubs · 10 months ago
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hi hi hi!!! today i offer to you: inexperienced!puppy!chan who's so so so eager to learn everthing you teach him. like imagine teaching him how to fuck you properly and he excels at it but in true chan fashion he has NO idea how crazy he's driving you. like imagine him burying his fingers deep into you, finding your sweet spot without even trying and moving his fingers in such a way that has your toes curling and back arching. and then he asks in the most sweet and innocent voice, "is this how i should do it? am i doing it right?" also puppy!chan (or any kind of chan for that matter) THRIVES on your praise so call him your good boy once and he's doinh everything you tell him to. like just imagine training puppy!chan how to pleasure you and he takes in that information in SO quickly and applies it so quickly too. i'm just–yeah🥴
Hi hi, my darling! Puppy! Chan gets my gears going, but inexperienced puppy! Chan?? Yeah, this is a need. ❣ Word Count: 1.8k ❣ Warnings: Puppy Switch! Chris, Switch! Reader, fluff, smut, Dom/Sub dynamics, guided sex, praise, open ended ❣ Additional Tags: Chan is referred to as Chris, Channie, Baby, Puppy, Reader is referred to as Baby, Love
Chris was a pleaser in every sense of the word, and you were no exception - if he could do something to make you happy, he'd do it in the blink of an eye.
So, when it came to the concept of being intimate with you, he was more than willing to start from ground zero; learning what touches made you shiver, where you liked being kissed, and how he could get you to melt into him without even getting your shirt off.
Through this experience you happened to learn that he was very eager to be bossed around - brown eyes watching you intensely as he listened to every syllable that left your lips, directing his body to do as you said like the good boy he was.
Of course, he had needs of his own - ways he wanted to see you fall apart that haunted his waking thoughts like a beautiful nightmare.
"I... I'd really like to finger you, love."
You had to stop yourself from lovingly laughing at his timidness, clocking the blush on the tips of his ears from a mile away - ever the earnest lover.
"Okay, baby - want me to show you how?"
With his eager nod more than sufficient for confirmation, you tossed your phone to the side and began setting the stage - your bed - for his personal lesson.
"I'm sure you don't need a formal introduction to my pussy, do you?" You giggled as you laid on the bed, a pillow propped under your head for support as you watched him wiggle his way between your spread legs.
If there was a way to describe his face during moments like this, it would have to be awe inducing - no matter how many times he'd seen you naked, intimately or in passing, he looked as if his world had stopped and you were the only person that mattered.
He chuckled softly, shaking his head as slightly faded orange curls brushed his forehead, "No, I don't." Parting your folds with his index and middle, a shiver ran down his spine at the faint shine of your arousal, "Hi, beautiful."
Within your time together, he was considerably acquainted with your cunt - keeping his head between your legs for so long you could still feel the phantom touch of his tongue days later - but he was insistent on taking things slow so he could treat you the way you deserved when he had the proper chance to, and you weren't complaining at all.
Where he wanted to learn how to pleasure you in ways that didn't directly involve his dick, you wanted to see just how well he would put his lessons to use down the - unknowingly short - line.
It didn't take long for the slow, languid curls of his tongue, and the subtle pressure of the tip of his nose bumping against your clit, to have you melting like an ice cream cone on a hot summer day.
"Y-You can start using your fingers if you want, baby," You breathed, threading your fingers through his hair, your nails lightly grazing his scalp earning you a low groan in return.
Chris pulled away a second later, looking up at you with lust blown eyes, "Are you sure?"
"If you don't use yours, I'm gonna use mine, Christopher."
Taking your threat to heart - and pocketing it for a future session - he dragged his index finger through your spit-slicked folds before gently prodding at your slit.
"Tell me-"
"-if it hurts, I know - it's just the first finger, it'll be fine."
And you were right, his finger parting your walls with ease due to how wet you were already - the both of you letting out matching sighs of relief and awe.
"You're so warm." He seemed to talk more to himself than to you as he slowly pumped his finger in and out, eyes trained on the way his skin shined with your arousal.
If this were the past you would've been embarrassed from the intense stare and almost curious prodding, but with Chris things were different - you welcomed the curiosity sprinkled into his tone, and the awe that sparkled underneath the warm adoration he exuded.
"You know," you hummed, easily catching his attention, "instead of using your index finger, you can use your middle and ring fingers, puppy - it's more comfortable that way."
Nodding dutifully, his finger left you slowly, only to be brought up to his mouth and slip past his plush lips.
Sure, you've seen him lick your arousal from his lips plenty of times before, but watching the pure euphoric flutter of his eyes as he sucked his finger clean had you clenching around air - he was going to be the death of you, and you could only imagine how it would be when you two finally took it to the next level.
He released his finger with a satisfied moan, "Have I ever told you how fucking delicious you taste?"
A teasing smile curled your lips, "Hm, once or twice."
"Well let's make it three times," bringing his hand back to your pussy, he traced his fingers around your entrance once more, "you taste delicious, baby - I don't think I can survive without it at this point."
You wished you could attribute the roll of your eyes to his dramatics, but as his thick, knobby fingers stretched your walls, your head fell back against the pillow as a moan floated past your lips.
Even with just two fingers he was able to reach spots you could just barely get to on your own, and this fact alone had you twitching in anticipation.
"Should I..." Chris licked his lips, mesmerized by the snug fit on his fingers within you, "Can I keep going?"
"Yeah, yeah- god, it feels amazing already."
Soon his fingers were gliding in and out of you at a decent speed as he got used to the motion, going faster as your breathing picked up before slowing down just as your moans became frequent - continuing this dance of push and pull that kept you in a delicious limbo.
A particular curve of his fingers on an outward drag had your hips jolting, a shocked gasp breaking through a breathless moan.
"Oh- Fuck!"
"Are you okay?"
Your eyes snapped open, looking down to shoot him a confused look until you were met with innocent worry - he hadn't done it on purpose.
"I'm- I'm okay, you just- Ah!"
Despite his apparent worry, the movement of his hand didn't stop, and you were yet again subjected to the graze of his fingers against your g-spot.
"I found it, hm?"
You could only reply with frantic nods, melting against the sheets as he kept his pace steady with the occasional curl of his fingers to keep you on your curled toes.
"B-Baby, faster."
"Faster?"
Feeling the bed shift slightly, his lips left a fleeting kiss on the inside of your thigh before you felt his body partially hover over yours; lips now seeking home on the crook of your neck.
This reprieve was short lived as his rhythm sped up without warning, your back arching as moans vibrated your vocal chords. Your hands scrambled for purchase on the t-shirt he shockingly kept on, gripping the cotton in your fists.
"O-Oh my god, Chris!"
His panted breaths rolled along your neck while muted grunts caught against your skin; the sounds of your breathless moans and slick squelches of your arousal filling his ears.
"You can- Fuck- U-Use your thumb to rub my clit, puppy."
"Yeah? But I won't be able to go as hard..."
"It's okay - please, I just need more, baby."
Pulling his head from your neck, he took in your fucked out expression as he stilled his hand to press his thumb against the small bundle of nerves, rotating in small circles just like he usually did with his tongue.
When you flinched he pulled away, the beginnings of an apology forming on his lips until you stopped him in his tracks.
"No, no - you're doing great, Channie, just - not too hard, and move your thumb a little to the left."
He nodded, adjusting his thumb with a tilt of his head, "Right here?"
A small giggle escaped you, "My left, puppy."
Noting the blush darkening his ears, he made the change yet again and the result was more than he could've ever expected; your pussy clenching around his fingers as your eyelids fluttered, a familiar haze fogging your eyes.
"Like this?" He mused, curling his fingers in a 'come hither' motion for additional stimulation, "Am I doing it right?"
You keened, tears of pleasure stinging your eyes as you nodded, "M-Mhm, you're doing s-such a good job, puppy- Oh, fuck- you're amazing, baby."
His heart swelled at the praise - much like his dick currently confined underneath his boxer briefs - and he focused his efforts on adding minute thrusts of his hand while keeping up the flicks of his thumb.
Unfinished sentences fell from your lips like breaths of air, a jumble of praises and half-baked thoughts breaking up whimpers and moans that you had no intentions of holding back.
"You're so pretty like this," he breathed softly, drinking in the furrow of your brow, the faint glisten of drool at the corner of your lips, "fucking beautiful, baby. You're squeezing my fingers so tight - you're close, yeah? Gonna come for me?"
You made a noise, something you hoped was a sound of agreement underneath the endless whimpers of his name.
Chris leaned down to brush his lips against yours, a soft, tender motion that had your heart soaring and your orgasm rocketing you into outer space without so much as a warning.
Your back arched as you pulled at his shirt - at this point, you'd be surprised if it hadn't torn from the force - as your cum soaked his fingers and the curve of your ass.
His hips bucked against your thigh, moaning against your mouth as he fingered you through your high with gentle strokes.
It didn't take long for you to come back to your senses, a breathless laugh shaking your shoulders while you released your death grip on his poor wrinkled shirt.
"You... You are way too good at that," blinking up at him, you narrowed your eyes playfully, "are you sure you haven't fingered anyone before?"
That wonderfully high pitched, squeaky laugh escaped him, "I swear I haven't!" Slowly pulling his fingers from your fluttering walls, he made a show of licking the pads, "I guess I'm just a fast learner, you know?"
Grabbing his wrist, you slipped those same fingers into your mouth, moaning at your taste around his digits and licking them clean before releasing them with a soft pop.
"In that case..." You lifted your leg slightly, brushing your thigh against his hard on with a sly grin, "Can you teach me how to use my hands?"
[unedited]
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theultimatekamehamehavoc · 7 months ago
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More children! Sakura: She was definitely the hardest design for me to do but my gosh was it rewarding as hell. I wanted to ensure she looked strong but also cute and all. Thus, I gave her a little flower broach/pin of some sorts on her chest and a little red butterfly clip. Who knows. Maybe it's a gift that she got. Also, I did try with the muscles. I am not the best at those but I tried! Also contemplated giving her pants so she could fight better but opted for the skirt so she still has some ties to her original design. Will def draw her in a full gi sometime though. Might also give her a design with bandages on her arms too. Chihiro: I used a bit of one of Chihiro's beta designs as a base since it was giving some cute energy. Gave Chihiro some headphones too since the outfit wasn't giving the programmer energy. Not that Chihiro's base outfit gives programmer. Still though, wanted to get some of that in there. Also, I have no idea why but I'm looking at little Chihiro now and imagining them making a ton of cool as hell games on Scratch. Not cus they can't use other programs but that they're just that good. Aoi: Was both easy and hard to do for her. Her base outfit already works well for an itty bitty version and I wanted to ensure that I wasn't just drawing the characters but shrunk down. Thus, I gave Aoi longer hair. The hair at the top didn't change though since it's iconic and adds to her silhouette more. No clue how I'd reinvent that. For the colors, I will be real. I kinda just picked whatever to make it look similar but not the same as her original counter part. Thus, hoodie on the waist! Made her shoes similar though cus I felt they fit with that sorta energy of a little girl who's just throwing on some clothes before running off to do some stuff and practice her swimming. Added the acne too cus preteen. Mondo: This little biker boy. Yeah. I had the same issues I had with Aoi which was that his base design was already pretty good material for a younger revamp. However, I needed to give him more stuff to work with. Thus, purple leather coat with the sleaves ripped off! He did not do it for fashion. He probably says that he got into a really gnarly fight when he just got a bit too rowdy with a giant ass dog or something. I also gave him like, one of those twigs or like, a toothpick in his mouth. Cus why not. It looked cool and gave him more. His hair stayed the same too cus he could have gotten tips and tricks how to style it from his older brother, Daiya. Like, Mondo is kinda mirroring him in a sense cus of how much he admires him. Finally, once again with the middle schooler acne. Kiyotaka: I feel Taka has that energy of his younger selves looking like shrunk down versions of his older self. He just has that vibe to him. Thus, I just did some small adjustments for him. Have him a little star on him cus he just gives MAJOR energy of that one kid who excelled and always got like "the star of the day" or something like that. Gave him little boy shorts too cus why not! They look cute! And yes. I gave Taka the Spongebob socks. He does not know that they are the socks of the Sponge. Also, the boots stayed cus why not! Maybe he also wants to look taller cus maybe's a bit on he shorter size. Who knows! I don't! One last thing is that I gave Taka like a missing tooth/tooth gap in his bottom row. I just felt it really added to the whole design. Hope the designs are good here too! As I mentioned on Aoi's section, wanted to ensure that they weren't just a carbon copy of themselves since no one is once they get older. So, yeah. This means I will give them all some horrible fashion choses too or just stuff they could look back on and be like "ew! so tacky". Think that'd be pretty fun!
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y-rhywbeth2 · 11 months ago
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Lore: Elven Culture #1
(An incomplete compilation.) Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess and it's borderline impossible to cover everything. Larian's lore is also a conflicting mess. You learn to take what you want and leave the rest]
Elves Physiology | Culture | Surface Elves | Religion | History | Homelands | Half-elves --- WIP
--- How to flip somebody off in elven culture. Random elven pan-cultural highlights ranging from marital traditions to poker.
Key elven philosophical concepts that inform their entire cultures. Farming, architecture, opinions on undeath, stages of life (Astarion's 200 years too old to be acting like an ardavanshee, but there we go)
Default elven society, including the family units (Clans and Houses), nobility, and the absolute monarchies with the divine right of kings that're tasked with herding cats.
Forewarning, this is a long post! And I still cut stuff... I was going to include the specifics of the seven individual surface elven cultures, but it was getting too damn long.
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Random little things before we get into the wordy stuff:
The equivalent to giving somebody the finger amongst elves is to crook the middle finger inwards towards oneself and then bring it upwards in a diagonal movement across the body. For the greatest show of insolence, the elf in question may then hold eye contact and slowly lick the tip of that finger. I have no context for how this come to be, or why it's insulting, but I'm sure it's quite the story.
Elves rarely make their piercings out of metal, instead preferring to craft them from the bone of their ancestors and departed loved ones.
The elven term for their own people is Tel'Quessir ("of the people," or simply "the people). The name refers to the fact that all elves are inherently spiritually linked to each other, the Seldarine and the Weave. They are capable of a form of low-level telepathy where they can share emotions, surface level thoughts and reverie with each other. As a result, non-elves who are not part of this interconnected whole are N'Tel'Quessir or N'Quess - "not of the people."
The elven spirit, or soul, is referred to as ues. The ability for elves to link their minds and share feelings and thoughts is a state referred to as "communion."
The elven term for "stick-in-the-mud" is irrquarlan - which I'd imagine is often used by moon and copper elves to refer to sun elves.
When an issue is considered to be "black and white" - as in a choice lacking any moral ambiguity, where one is wrong and the other right - elves would say it is "sun and moon," as in anybody with working eyes can tell the difference between sunlight and moonlight.
The elven equivalent of "no shit sherlock" is “Trees grow, no?”
Elves have a gambling game called kholiast, involving a deck of over 1,000 cards. The hands are determined randomly by dice roll, and the point system would apparently "drive even the most dedicated Candlekeep scholar completely mad." Needless to say, moon elves love it and probably invented it.
Haven't found much on elven coinage, but the one familiar in human lands is the "blueshine" coins; silver coins with a blue-green lustre bearing the image of a crescent moon (the holy symbol of Corellon Larethian). Presumably equivalent to a silver coin in any currency.
While they can be made of the materials used in reality, elven bowstrings may be crafted from spider silk (especially if of dark elven make), elven hair, and sometimes magically-treated spun silver.
Elven fashion varies by specific culture, location and individual tastes. The trend is for loose and flowing garments with no footwear (except for the sun elves, who refuse to go out in public without some kind of shoes). An alternative to shoes is to use some kind of minor magical accessory that allows one to hover just above the ground, able to glide around without getting one's feet dirty or damaged. They tend to have few or no taboos about nudity, so garments may be quite revealing. Elves believe that their dress should be a reflection of their home nation, and the peace and prosperity that it cultivates.
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The generic term of reference for ones committed romantic partners is one's "mate." Elves practice marriage, and the terms "husband" and "wife" have been seen, although it seems "consort" is just as - if not more - popular.
Elven marriages may be sealed through the use of one or two lower level High Magic rituals;
Quamaniith, "the vow made tangible," causes a vow made to be woven into physical form. In the case of a wedding, it's about the size of a fist. It usually takes the form of a stone, carved with inscriptions relating to the vow, though artistic mages may craft a figurine. When used for marriage vows, the created object is called an Aestar'Khol, a "marriage stone." Should the two divorce, or betray their vows, the stone will shatter. There is no other way to damage it, it will always remain perfectly unblemished.
U'Aestar'Kess, "One Heart, One Mind, One Breath" - this ritual creates a permanent passive mental bond between an elf and another living being (who may also be an elf), and it sees use most often as part of marriage rites. It allows the linked beings to know instinctively when their partner is in danger, detect and sometimes share their mood, and if they concentrate they can communicate telepathically.
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Due to the fact that elves don't sleep, instead spending four hours in reverie, an elven home will not include a bedroom. Personal rooms resemble something closer to studies and sitting rooms; furnished with comfortable chairs, lounges and divans, furnished with personal affects and whatever projects the owner might be working on.
The other side effect of the reverie is that since elves have a full 20 hours of activity, can see just fine at night, and don't necessarily have fixed sleeping hours, elven communities don't fluctuate in activity levels. Villages, towns and cities will be as busy in the dead of the night as they are at every hour, and elves have more free time than others.
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Elves have perfected birth control. While technically the magic rituals involved in this came about for practical reasons - including ensuring a child would not be conceived in harsh conditions like famines, plagues and wars, where its birth would cause suffering for both it and its family - elves now just use it as an everyday thing when they don't want to get pregnant. No elf will be having children if they don't want them, those who do want them will only be conceiving them when they intend to, and attempting to change their mind will be considered an infringement of their personal freedoms and bodily autonomy, and be met with hostility.
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Linguistics: The elven language is called Lalur, "the Singing." All elven languages are written in the Espruar script, which has two forms. One features more loops and curls, and the other features a series of curved lines, dots and dashes, which has come into fashion more recently. Another elven language is Seldruin, which is almost extinct. It's the language used in the casting of elven High Magic, and is written in a unique script called Hamarfae.
Local dialects, informal and formal registers and drifts occur all over the place.
Elven accents are usually described as "musical" - they tend to pronounce "s" softly, drawing it out and their voices shift up and down the vocal register more than is usual. Elven vocal chords are odd, allowing them to reach over an octave-and-a-half, which they can sustain for longer than a human could. Elven vocal chords are capable of producing two completely different notes at the same time. The overall effect of the elven voice and accent is likened to chiming, or little bells.
Elven songs are usually either wordless vocalisation, or feature multiple overlapping voices singing different lyrics. The typical "mood" of the music varies by culture: for example, sun elves prefer solemn songs with gravitas; wood elves enjoy a good rhythm; moon elves prefer something fun, whimsical, and sometimes bawdy. Some elves have a rare genetic quirk that allows them to use their vocal chords to speak two different things at the same time; the "secondary" voice is much fainter, and limited, but in music is allows the singer to produce a layered, echoing quality.
Elven musical performances feature galadrae - three dimensional illusions depicting scenes to go along with the song, not dissimilar to what one might see at a modern concert.
Musical instruments most often seen are woodwinds and strings, especially harps (which are strongly associated with elves). Elves are the only people thus far who have worked out how to build their instruments to be capable of sustain. Elven music has been compared (out of universe) to Enya, Loreena McKennit, Genesis and ELO.
Music and song is an important part of romance in elven culture... alongside erotic dances, apparently. But anyway, courting is accomplished by writing each other love songs and singing them to each other, or by composing poems for similar effect.
Non-elven languages are rather charmingly referred to as Glahkery, which translates into something like "strifeful sounds."
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Key Philosophies: An important part of elven cultures is the concept of laraelever - technically referring to undamaged forest, "as it should be." This does not mean nature should be "pristine" or untouched by humanoid life. It means that the way the world is found in its untouched state, unmodified by another's desire, is how it is meant to be. The lives of others should not impose on the world more than they need to. The natural world is to be without blight, unburnt and unharmed by careless logging, overhunting or depletion of resources.
It also applies to the elven approach to life and the passage of time: things will generally occur when they're ready and grow/proceed at the speed they're intended to. One should never rush. Non-elves and younger elves tend to find this attitude incredibly frustrating, while "adult" elves find them dangerously impatient.
This may also be a part of why elven cultures tend to value independence and individual freedom - that one must "accept life as it is", implies you can't force things to be anything else.
The "way life is supposed to be" does not include dark magics that tamper with natural cycles, and the elven word for undeath is mormhaor - "corrupted death." Undeath is a blasphemous attempt to impose one's will on the world and force it into a shape in the most horrific way possible, and is heavily tied to the loss and violation of free will, and its believed that undeath destroys the soul (whether this is correct or not in D&D varies by source). The state is generally considered worse than death - the elf is cut off from their people, their gods and their path, and denied their chance for spiritual enlightenment and the afterlife. The sole acceptable form of undeath exists in the baelnorn; a form of elven lich that was created willingly and is sustained by positive energy instead of negative, in the name of continuing some duty or other for the sake of their people. They are sponsored by the Seldarine, and tolerated by the elven deity of death. Elves respect their sacrifice, but are usually still uneasy around them.
This philosophy appears in the rest of their societies in the way that they build their homes and furniture; a chair may be "constructed" of wood that was carefully grown into shape and harvested with careful consideration to the timing, rather than by unnecessarily cutting down an entire living tree and taking more wood than is technically needed and whittling it down to shape.
Elven architecture is built to complement its natural surroundings, blending in with it. The design concept is that a building should seen as much a part of the landscape as the trees or mountains and enhance their beauty. To help these buildings blend in, elven doors are designed to disappear into their surroundings, and they can be incredibly annoying for outsiders to spot (elven children grow up learning to see them, and so elves don't have this problem).
Buildings are preferably constructed by growing trees into shape rather than by constructing from timber or stone. If they are made of stone, they're still usually "grown" by shaping them with magic, creating a seamless mineral structures.
From non-elven perspectives, an elven city resembles a garden or park more than a settlement. They favour building in the trees themselves more than anything else (for example, the city of Suldanessellar in Baldur's Gate 2 is built on platforms built around the trees, high in the canopy). The higher constructions are linked by bridges and swinging ropes.
Ground dwellings are typically built for children, the elderly, and the disabled, and others who might be unsafe with heights and getting up and down them. It's also where elven realms that have contact with outsiders build their inns, taverns, warehouses and businesses. Elves don't clear the area a great deal when building their ground dwellings, their roads and streets are built around pre-existing natural structures and can meander a lot.
The ground level and higher parts of the city may be linked by teleport magics and enchanted platforms that function as lifts/elevators.
This preference to leave things untouched doesn't mean that elves never alter the world for their own desires - especially since obsessive, eccentric artists are a staple of the elven population. Wealthy Houses are known to make roofing materials out of precious stones. Some cities, such as Leuthilspar, get artistic with their roads. The main road there is magically constructed from some kind of glassy, clear crystal and is nicknamed the Diamond Road.
Each building typically belongs to a single Clan or House (often the building is an entire living, ancient tree), and if they belong to a culture that builds tombs, they will also have a family tomb. The rest of the city, outside of residential buildings, is not considered owned by the elves but simply under their care and stewardship. It belongs to the other lives as much as them. Elven communities often have neighbours from other fey races; dryads, faerie dragons, treants, fauns, nymphs, pixies, etc. Elves and fey tend to be relatively close, and the elven and seelie fey pantheons are often worshipped by all of them.
Elves do not farm in pastures and fields - it's more that they cultivate the world around them without disturbing it too much (I don't remember the technical agricultural jargon here.) They'll try not to disturb the rest of the ecosystem too much, but elven farmers will nurture the plants they desire while removing harmful plants and pests. They don't introduce plants or disturb the soil, merely encourage what's already there for healthier and higher yields of whatever grows. A lot of outsiders can easily stroll through a farm without realising it. Farmers are the only elves who count the passing of years, due to the need to keep track of crop yields and the ages of plants and animals. The equivalent of a year to elves is a grouping of four years known as an aeloulaev, or more commonly as a pyesigen - "four snows" (plural pyesigeni).
While Houses might have their lorekeepers, who preserve and record history, the typical elven opinion on time tends to be that "history is the weave of things outside of life, not for those still within its loom." They see history in their reverie, they don't need to worry about it in their waking hours.
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Yet another elven philosophy is of the Road of Life: a multi-staged, twisting spiritual path every elf walks, and one with many potential branching paths to explore.
It is, in part, a shared path because all elves are part of the greater whole that is the Tel'Quessir - but at the same time, no elf can walk the path for another. All should care for the community and support fellow elves in being able to walk their path, so that the community can support them as they walk theirs; “We are on this shared path together, but at the same time all of us are finding our own way.”
Elves under 100 years old are walking the first section of the road. Their life experience and perspective is the equivalent of a human of the same age. They don't yet perceive time and think in terms of the passage of decades and centuries as a "mature" elf does, and from their elder's perspective are incredibly (annoyingly) impatient. Due to this gap in understanding, young elves often find themselves more comfortable in the company of humans, who share their feelings and perceptions.
It's the elves in their first stage of the road who are usually found adventuring and living in human cities, they're "whimsical dabblers, ‘flighty’ and inclined to plunge into something new or [grow] tired of something and move on without feeling the need to shoulder responsibilities, or [care] overmuch about consequences," "...almost like the humans in their passions of youth, and they adapt to their more transient surroundings. They eat over-spiced animal flesh and other abominable foods; they wield simpler, cruder, combat-oriented human magics; and they even mate with non-elves."
These younger elves, in the throes of rebellious youth and lack of patience, may be prone to selfishness, ruthless ambition and disrespecting their elders as they turn their nose up at elven values. This particular phase is referred to as Ardavanshee - "the restless young ones."
Older elves mostly leave the youth alone to make their own mistakes, assuming they'll grow out of their crueller and selfish behaviours with time and experience.
An elf under 90 years old is not considered experienced enough to be allowed to hold leadership positions.
All elves will begin their journey on the road with a basic magical education during childhood: Magic is an everyday part of elven cultures at every level of society, and every elf grows up surrounded by it. Even the copper elves, who have little interest in arcane magic, surround themselves with druidry.
Basic martial training in traditional elven martial arts is also part of the standard for all elven cultures, involving the bow, sword and rapier - elven blades tend towards being long, very thin and flexible. Elves have a long and bloody history of conflict, and every one of them is be expected to be able to defend themselves and their home, should the need arise.
Whatever other education their family sets for them, elves have childhoods much like any other race's children. They learn their history through creative retellings form their elders and are let loose to run around and engage in physical activities - climbing trees and swimming. They're taken to play in the outdoors and encouraged to take interest in the natural world, learning of the animals and plants they share the world with.
Reaching the elven age of majority, and the second stage of the path, occurs some time in their second century of life (120 years old, on average). As they mature and outlive the human lifespan they tend to settle into the elven ways, and focus on their spiritual ties to their communities and faith.
Mature elves typically take things very slowly. They spend a lot of time in contemplation, consider all facets and nuances in a problem, and try to predict all potential consequences that could be born of a choice (even those domino effects that may occur decades after the fact). They prefer to implement these choices very slowly, watching what ripples are caused through the course of years and responding accordingly - they may continue, stop, or make revisions as they go.
Occasionally an "adult" finds themselves drawn back to adventuring and a faster paced life outside of the elven homelands. This is accepted as simply a natural part of that elf's particular path.
The other branch on the road is one where an elf finds a passion and devotes themselves to it; fine art, playwriting, magic, architecture, the martial arts, literature, faith, music, whatever. They become hyperfixated on whatever has caught their eye; they keep the company of others who share their interest and talk about it to the exclusion of almost everything else (others are warned to beware engaging an elf in conversation about a topic dear to them, because they will tell you every single detail there is to know and will not stop).
Elves will dedicate months and years preparing for their projects; spending time in reverie and contemplation as they meditate on ideas, praying to the gods for guidance, and traveling leagues to gather materials and discuss with experts or observe others' works for inspiration.
The last stages of the road are stages of seeking spiritual enlightenment; they reflect on their long lives and many, many experiences with the world and contemplate the bigger picture and the nature of the universe and the People. They will begin to feel the Seldarine calling to them in their reverie, summoning them to the afterlife in Arvandor (Sehanine Moonbow's call, in particular).
The mythical final stage, occurring past 700 years of age, is one where an elf's contemplation successfully leads them to enlightenment. They become at peace, and their understanding puts them in perfect unity with the universe. These elves are faced with the choice of returning to Arvandor to join the gods, or to remain in the mortal world and use their wisdom to guide their people. Thus far the only elf said to have achieved this state was the elven queen Amlaruil, who chose to stay behind.
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All this philosophy aside, elves still run businesses, have class and wealth divides and squabble amongst each other for power and prestige like anybody else does. The common elf is a priest, a guard, a farmer, a hunter, a cook, a maid, a tavernmaster... In daily life, most of the daily function of the realm involves cultivating the plants that grow in it (farming, construction, maintenance) and security (scouting, guarding, patrolling).
Although, elven society is steeped in magic all over the place, so in regards to things like maids and household chores, elves are more likely to simply use magic to clean the house and lessen the amount of physical labour involved.
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Society (Houses and Clans, and the Government):
The concept of the Merchant Clans and Noble Houses aren't unique to drow; these family dynasties are part of larger elven culture, be they categorised as high, wood or dark. All elves are part of a larger extended family, known either as a House or a Clan, from which they take their surname.
Elves will generally be loyal to their Clan and House before their nation, and they have their own laws that members must follow, generally set by the matriarch or patriarch (the later only existing in non-drow cultures). Some have multiple leaders, ranging from a duo (House Nightstar is governed by twin sisters) to a council of elders. Each clan/house has different methods for choosing their leader/s, some are hereditary and others are elected. For larger Houses that span multiple regions, there will be a hierarchy with local leaders who answer to a family head that oversees the entire bloodline.
Elven nobility belong to Houses, which are generally known for each having certain political ideologies, and they often specialise in training their members in specific skills.
The elven concept of "aristocracy" is granted by a ruler, who makes that elf and their clan a Noble House as a reward for some exceptional service to elvenkind (this is very hard to achieve). The status cannot be revoked by a ruler, nobles can only be exiled and stripped of their House name by their own family.
Some families restrict their membership, and will not acknowledge the spouses or children of their relatives who are of certain elven cultures, non-elven races or half-elves. As a rule of thumb, moon elven culture would frown upon excluding anybody of elven blood from the family. Everybody tends to make an exception for drow - you are not bringing a dark elf into this family tree. Houses may adopt others into their family, and it's also possible for a House to adopt N'Quess into their ranks, usually as servants (so one could find a human cook who happens to be a member of an elven House).
Houses are generally associated with a specific elven culture, although the family usually contains a mixture of backgrounds. House Le'Quella, for example, has prominent mixed moon elven and green elven ancestry. The copper elves have mostly abandoned the concept of Houses, though some prestigious and historically important ones remain. Green elven cultures have long forsaken the concept, along with most of the trappings of the elven society that caused them thousands of years of suffering. Sun elves pay greater attention to their elders and important ancestors, and consider their Houses more "legitimate" than moon elven or wood elven Houses, and take House politics and affiliation far more seriously. Due to this, their Houses usually hold greater status than those of other elves'. Within the vast majority of dark elven societies, House affiliation and prestige is a matter of life and death, and being without a House to protect you leaves you open to enslavement and death.
Each House has two colours associated with it (sometimes they have more, less strongly associated colours), as well as an insignia (for example House Aelorothi's colours are pale blue and green, with a red swan for a crest. House Starym's colours are silver and maroon, with two falling silver dragons on the crest.) It seems like Clans may also have colours and insignias, but that may only be for the most prestigious of them. Even within the larger Houses, there will be members of the House who are nobility, and those who are common servants and footmen.
Clans and Houses are not tied to specific realms, and members and family units may be encountered anywhere in the world. "It's a mistake to think of elven Houses as equivalent to human [noble] Houses [...] in some respects you can almost think of an elven House as a small, extremely long-lived organisation with blood-ties."
Some Houses have existed for over 10,000 years, and these houses usually boast the highest status.
Status is a fluctuating thing; it depends on many factors such as wealth and prestige, the actions and reputation of its members, its relationship with other houses (feuds and alliances), how many powerful and talented mages - especially High Mages - it hold in its ranks...
Elven Houses may have smaller, related Houses attached to them called Septs, much like human dynasties have cadet branches. Septs are formed when a noble marries a commoner and takes their clan name, rather than having their lover marry into their House. A Greater House has many Septs, and a Lesser House fewer or none.
Arranged marriages do - or did - exist. They're primarily practiced as part of House politics, mainly by sun elves, and this historically caused some irritation in the time of Myth Drannor, when the Houses started using arranged marriages to call dibs on promising mages to bolster their own family's retinues and reputations. When elves marry, the elf of the less prestigious Clan/House will be considered as marrying into their spouse's more prominent Clan/House.
Surface elven Houses are as prone to intrigue and politicking as their Underdark equivalents, but they are significantly less likely to murder over it.
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Most surface elven realms are city states, ruled by a Coronal, who is "speaker among the trees with Corellon's voice and bidding."
While this means that Coronal has absolute authority, the assumed role of the ruler is to keep the peace and maintain harmony between the various elven peoples and Houses within their realm. On an individual level, elves won't necessarily respond well to attempts to meddle in their personal lives, and sometimes trying to organise the masses is like herding cats.
The Coronal's word is law, but the entire realm may discuss and debate it before that word becomes law, and the Coronal cannot pass a law before at least a month has passed since its proposal.
While elves must accept the law of the land once made, mass migrations of entire clans and houses are known to occur in response to an unpopular proclamation as the elves leave for somewhere they don't have to listen (assuming the response isn't something more along the lines of an assassination...). While they might move to another elven settlement entirely, these elves won't necessarily leave the geographic area, they may simply settle on a patch just outside of the Coronal's jurisdiction and govern themselves. Sometimes elves just build an entire demiplane (small alternate universe) and move there instead.
In larger realms, such as the former empire of Cormanthyr, the Coronal oversees the realm and the individual cities within are been governed by a local council made up of the heads of the most influential Houses, who govern the minutia of daily life in their own city and have no influence outside of it.
Coronal is not usually an inherited position (especially in the modern day). How one achieves the position varies by place. In Cormanthyr, this was determined by blade-rite. The applicant draws an enchanted, sentient blade from its sheath, and the sword judges their intentions for the power they seek. If it decides they don't have the Tel'Quessir's wellbeing at heart and will abuse their power, then it kills them on the spot.
Rulers are advised by a council of elders, who as always are usually the family heads of the local Houses.
Larger surface elven society saw a slight shift towards matriarchy in the reign of Queen Amlaruil Moonflower on Evermeet, and women usually wield the most influence in elven politics.
The entirety of elvendom was technically ruled by a (popular) royal family at one point, situated in Evermeet. However the queen has vanished in the last century, and it seems the monarchy no longer applies. Even when she was alive, some of the elves were merely humouring the notion and didn't pay it much mind. Loyalty came mostly because she was likable and her people felt she cared for them and served them well.
Nobility is defined as the Houses in "good standing." Those who possess more "wealth" - although elves don't value things like gold the way others do, so they don't put the same weight on it - and those who have a fancier family history, which gives the family more weight when councils convene to make realm-wide decisions about enterprises and social policies being made for the good of all.
Some particularly arrogant Houses feel they have "claim" to a particular patch of forest, in the same way a human noble might claim estates, but nobody else would agree with them, and collective elven society considers the world outside of their front doors to be public property that happens to be under the People's care.
While no house is beholden to the realm it resides in, and owes no duties, society expects the elven aristocracy to provide warriors, funds and resources to the wellbeing of the realm as a matter of honour. In peacetime this means providing the guard patrols and hunting parties, and providing for the sick and elderly of their communities who require aid.
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While the dwarves and some human cultures can give them a run for their money, elves are quite possibly the proudest people on Toril. Theirs was the first and longest humanoid empire, theirs is the greatest grasp of magic, theirs is the longest lived of the common races of Toril, theirs is the blood that runs in the veins of a god... Suffice to say, the People tend towards being arrogant and stubborn. It never occurs to a number of elves that their ways might not be the way, and between that and their resistance to being governed when the rulers want to change things, the dwarves have invented a saying regarding attempting to change their minds on something: "If you want to tell an elf what to do, be sure to bring your axe."
Where the halflings and gnomes blend in, elves (and dwarves) are the most likely to stand out as distinct, separate cultures within human cities. On average they're proud of their history and their ways of life, and won't be trading them for others. How aloof they are exactly will depend on factors like personality, and how fairly treated they feel they are being by their neighbours.
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random-dragon-exe · 1 year ago
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Alright, but can everyone just imagine the antics we could've got if there was more time for the Covenheads to interact?
Dana said they backstab each other all the time, which means they don't generally get along well.
Like we could've gotten some really entertaining antics between them.
I'd imagine it'd be like a twisted version of The Offfice, but with queer witches and one puritanical leader.
So now have a few ideas I've come up with.
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Belos: Can you all just conduct yourselves accordingly for one meeting?!
The covenheads in question:
Raine is trying to keep whatever is left of their sanity while trying to separate Adrian from Darius while they're fighting with each other. (They're fighting over who has better fashion sense)
Cue Eberwolf biting Adrian’s tail as he screams in pain from the bite.
Terra and Hettie are watching, amused.
Hettie has enough of it and summons one of her scalpels and throws it, nearly missing Adrian as a warning.
Vitimir throws a sleeping mist potion at Adrian (minecraft style) only for him to teleport away and it hits Darius instead, instantly knocking him out.
Mason and Raine hover over Darius, making sure he's okay and not hurt.
Osran's recording everything on his Penstagram only to save it for himself to watch later for shits and giggles. (Along with rest of the antics he's saved)
Belos: (internally face-palming) "We'll continue the meeting, someone just get Headwitch Deamonne and prop him up."
Wait I got some more ideas! This time a few without Belos.
(All the Covenheads are walking to the main room early for a meeting)
Hettie: (whispering to Vitimir) "Is it just me or is Adrian a little less annoying right now?"
Vitimir: "I bet you 20 snails it's an illusion of him."
Hettie: "I bet 20 it's not."
Vitimir: "Fine then, prove it."
(Cue Hettie throwing one of her scalpels at Adrian only for it to go through and the illusion of Adrian dissappears)
Hettie: "What no, Titan dangit!"
Vitimir: "Pay up Cutburn."
Hettie: (annoyed) "Fine." (Hands him the snails)
("Vitimir" poofs away only for Adrian to be revealed to have been masquerading as Vitimir via illusion)
Adrian: "Thanks, I wanted a few extra snails!"
Hettie: (seething mad) "You'll pay for that Graye!" (About to attack him)
Adrian (draws a spell circle to make multiple illusions of himself which all run off in different directions so it was impossible to tell who the real one was which confuses and further enrages Hettie)
(Vitimir finally speedwalks in the main hallway)
Vitimir:" Sorry, I was busy experimenting with my latest potion, what'd I miss?"
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(Hettie stares daggers at Adrian throughout the meeting then when Belos isn't looking throws a scalpel at him)
"Adrian": "Ow!" (Poofs away to reveal Mason hidden under an Illusion of Adrian) "What was that for?"
Okay, last one:
(Vitimir gets bored so he starts testing out a new deadly potion on himself)
(Hettie notices)
Hettie: Do you mind sharing that?
Vitimir: "No I'm not sharing, besides what do you need it for?"
Hettie: "I have my reasons." (Sadisticly smiles)
Vitimir: (slightly creeped out and sighs) "Alright fine, meet me at my door after the meeting."
Some more ideas/HCs but they're in a general sense;
Osran uses the videos he recorded over time as blackmail for each Covenhead.
Vitimir stays up late mixing potions and tests them on himself.
Vitimir acts like a shady drug dealer when the Covenheads want a potion from him.
When Raine is fed up with Adrian, they'll play their music to make him fall asleep right then and there.
Terra threatens the Covenheads when she's in a bad mood that she'll feed them to her large carnivorous plants. (Everyone is terrified of it, but never admit it to her)
If anyone of the Covenheads gets hurt, they'll never go to Hettie to get healed (she has terrible bedside manner)
This is just the tip of the iceberg, hope you enjoy my ideas.
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ruthplaysthesims · 7 months ago
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📩 Simblr question of the day: Choose a sim of your own that you consider your/a fave, then choose one sim from three (or more!) different simblrs, now imagine what those sims would be like in a room together? Who's walking out first? Who's staying the longest? Who would get along? Who wouldn't get along at all? Elaborate as much or as little as you'd like :) (p.s please feel free to share this to others, anon or not, and feel free to use the hashtag " SQOTD "! I love seeing everyone's answers and reading them makes my day ~ 💛 )
AHA SAY LESS!!!!
My sim of choice (and everyone's fave boi): TYSON BLACKWELL!!
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The other OCS I choose:
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@living-undead's Zaria Dimmer
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@matchalovertrait's Dulce Alegria
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@pralinesims' Aaron <3
Okay the scene:
Tyson walks into the room finding 4 chairs around the table. He just casually takes a seat and begins to wait. Not too long after, Dulce walks in, sees Tyson and hesitantly takes a seat. Tyson, being the friendly lovable man he is will strike up a conversation and Dulce begins to feel at ease. He may or may not mention the fact that he was watching diced junior (*looks at Amy*) and was rooting for Dulce to win.
A few minutes later, Aaron (in all his fabulousness) walks into the room like the sexy mf he is, takes a seat and scans the area, looks at the two, may strike up a conversation (or stay quiet and watch) we do not know.
And then comes Zaria. Girl doesn't even want to be here. She doesn't like the vibes one bit, she loathes just how bubbly Tyson is (wait till she finds out about his career as a secret agent...) Questions why Dulce is here and you'd think Aaron would be the one she gets along with, but nope. She thinks he's too cocky for her taste.
Tyson might stay a little longer, mostly to get to know the people in the room. He gets along really well with Dulce (she's a sweetheart). With Aaron, it's like a mutual respect kinda thing (don't bother him, he won't bother you) However, there is only so much one can take when it comes to Zaria's constant judgement. Aaron respectfully tells her to SHUT THE FUCK UP! Tyson thanks him. She gets angry and walks out.
one down, three left. The three seem to be getting along quite nicely. Dulce is constantly asking for fashion tips from Aaron, and he gladly answers them, making Tyson smile.
Time has passed, and Aaron has to go, leaving the first two that walked in alone. Dulce is happy she met a fashion icon and hopes Zaria is okay. Sure she was a biatch, but giving her a dose of her medecine did not sit right with Dulce (this child is too pure!!)
Tyson, though he disagrees with her, won't say that to her face and just pats her on the head. Dulce receives a message from her mom, who's come to pick her up. She smiles and hugs Tyson, glad to have made his acquaintance and of course encourages him to come visit her family's bakery. Tyson smiles and waves her bye, staying all alone in the room before walking out.
I loved making this!! and i really hope I was accurate with you guys' OCs @pralinesims @matchalovertrait and @living-undead. If not, I'd be more than happy to rewrite it :)
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harveyguilleniconodelamoda · 7 months ago
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Thoughts on Fashion & Style from Harvey's Instagram Live with Samantha Rei Crossland
Last night, Harvey Guillén joined fashion designer Samantha Rei Crossland for a chat on Instagram Live to talk about life, style, the entertainment industry, and to answer some fan questions! The full video may be available via Harvey or Samantha's IG eventually, as they saved it at the end, but in the meantime I've compiled some of the questions and answers related to Harvey's relationship with fashion and style here!
This text is taken from the video and has been lightly edited for clarity.
Samantha: Dollie says, "as a fan you can really tell Harvey worked deliberately through fashion and photoshoots to establish his style in person, in front of the camera, and on the red carpet. I'd love to hear more about that journey and additionally if you have any tips for achieving confidence in style and fashion."
Harvey: Wow, good question! I feel like that was an avenue that never was presented to me as an option for the first part of my career. You know everyone's like "oh who dressed you?" I dressed myself! I mean I still do, but I didn't really get any kind of help with anything stylish-wise until recently, when I got the opportunity to work with different designers and stylists who introduced me to those designers. That's really what it is: a stylist will get you into an atelier or someone's house, like Christian Siriano or someone like that. But for the most part, for a long time I just kind of dressed myself, and on a budget.
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Knowing Harvey was putting these kinds looks together by himself on a budget in 2017 and 2018, I will never again cut any of the Chrises with their MCU money a single centimeter of slack for showing up year after year, to event after event, in bland black or navy suits.
Harvey (continued): Because stylists are worth every penny, but they're expensive! They are expensive because they do a great job, but you also have to be constantly doing that. I think Zendaya was just talking about this in an interview. There's moments where you want a stylist because you want to look your best and you want the best opportunity and possibility, and there's moments where you're like "I'll dress myself, it's just a small event, I'll make it work. I'll make it work with what I have."
But yeah, I really wanted to put myself in a position where...why can't I like fashion? Why can't I do a photoshoot, and why can't I do a cover? I had a publicist, one of my first publicists...I said "I want to be the first to do something, like be on a cover of something like this!" And they straight out loud said "that's not going to happen." And I was like..."oh well, I mean maybe not overnight, but that should be the goal, we should work toward--"
And they were like "yeah, but we want to be realistic...and that's not gonna happen."
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Cannot imagine being the person to tell THIS man he's never going to be on the cover of a magazine.
Harvey (continued): I realized, if people on your team are naysayers or they're not seeing the vision, those people aren't on your team. So unfortunately, I had to let them go, because if there's someone on your team who's already being toxic towards your vision, that's not the vision, that's not the vibe, that's not it. And so I'm glad to report that shortly after that we did get a cover! And then I was able to kind of show that off and be like, "it can be done!" You just have to find the right team and the right people who see your vision.
I think for so long it's just been easy to say no to people who don't fit the mold of Hollywood, and I'm not here to fit a mold. I'm here to break it.
Samantha: You're killin' it! You have no idea how many of these questions were just "when is he starting a fashion line?"
Harvey: I want to! I think right now I'm so focused on my main passion, which is acting, and I'm so grateful and blessed to have opportunities that are coming my way and that I am excited for. And now wrapping something that I'm gonna hold so dear to my heart like Shadows for so long, I'm so grateful. And you know, most actors would kill for just the opportunity to be on a show like Shadows and call it a day, and I would be happy if that's the work that I'm known for, because it's such a great show.
But I'm fortunate that I have all of these other things that are coming up. I'm so excited for the opportunities, and I'm excited for the different characters and different roles and different hats I get to put on.
But eventually that would definitely be an avenue that...I mean, it would definitely be on brand! You know? It would be so on brand to open a plus size line, especially because growing up I didn't see as many options for plus size people, period. But if there were, obviously the lean is for female clothing, and it was never for men at all. Like the options for a plus sized guy was like...screen t-shirts and jeans. And that's it!
Or it was always Big and Tall, where if you weren't tall you got stuck with a really short and stout kind of shirt. The measurements were always catered to "if you're big, you gotta be tall," and well, I don't know if that's true, but there was no in between. So that's a market that I would definitely want to look at. But for the time being I'm focusing on the acting part of it.
Samantha: Kelly wants to ask, "do you like any specific colors or patterns? Where are your tastes when you dress high fashion?"
Harvey: I used to be afraid of color a lot because I was always told if you're plus sized or bigger you'll amplify yourself. But I think you shouldn't be afraid of color. Last year, a year ago next month, at the Meta Gala I wore pink! That was all Christian Siriano from head to toe, and there was a wink there and a story behind it--if you know you know--why he and I chose the color pink for the Met Gala and who they were honoring and all of that. So I'm not afraid of color. I try to be very specific about the dimensions and where my leg cuts off or where it elongates my leg.
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Harvey's now-iconic outfit from the 2023 Met Gala--whose theme was honoring Karl Lagerfeld--blended foundational style elements of Lagerfeld's most famous designs for Chanel with all the things Lagerfeld loudly hated throughout his life. Lagerfeld was infamous for making shitty comments about plus sized people, people of color, short men, and a host of other things. He also disliked the color pink. So Harvey showing up as himself and looking stunning wearing that glorious pink number was possibly the classiest shade ever thrown.
Harvey (continued): I've just been like the Christian Siriano poster boy this year! Which is a funny story because when I first approached him over a year ago for the Oscars, he was really busy and he said "I really don't make menswear."
And I was like "well I'm not saying I want you to make completely a tuxedo, I want you to do something in the middle." And he was like "well, I kind of did that with Billy Porter" where he put Billy in this really amazing gown. And I was like "well I don't want to do a gown, I want something between that, you know? Like where it doesn't have to be a traditional, boring, just plain old tuxedo, and it doesn't have to be this amazing, beautiful ball gown that Billy had worn."
Because he doesn't really design for men, he designs for women. And he said "this would be the first I would do this." And I said "then that's great! It'll be the first!" And he definitely had never designed for a plus sized man, so we were checking all these boxes off.
So my idea was if someone in 1920 went to an award show but was trying to wear a vintage Victorian or Edwardian outfit to honor a vintage look. So the hair was 1920s. The hair was done by Connie, who was my hair person in What We Do In the Shadows, who helped me originate the original look for Guillermo.
And Romie--who's my best friend since third grade--is my makeup artist, and she did my makeup for the Oscars and makeup for a lot of the events I go to.
And it was just amazing, you know. That outfit...oh my god. Vogue ran it, they got so many likes, it was on every social [media] outlet, and it did so well that last fall, for the first time, [Christian] had a men's line. And I can't help but wonder if it was a coincidence, if it had anything to do with my "how about we try this experiment!"
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This beautiful vintage-inspired look for the Oscars was Harvey's first red carpet collaboration with Christian Siriano and landed him on nearly every best dressed list for the event. The metallic brocade tuxedo gown and bell hem trouser were included in Siriano's Fall 2023 line, and are available to order on his website (for a hefty price) as separate pieces in sizes up to a size 30 (58 bust, 60 waist).
Harvey (continued): Christian's been great, and of course he would make amazing pieces for menswear, of course he would!
We collaborated on a lot of things. For the Critic's Choice award we did a really cool cut, which was like a midriff cut with a peek-a-boo of belly. Because you know, I like my body, and I can show it off! And he did it in a way where I was like "woah!" It elongated my leg and it had a peek-a-boo of a little bit of tummy, and it had a neckline that plunges. So it shows your chest, and it's mesh, and then this giant bow on the side that you can take off or put on.
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This red carpet look Harvey wore for the Critic's Choice Awards is one of my personal favorites. It feels like plus size people are always being urged to both cover up as much as possible and make ourselves as small as possible. But this outfit stares those demands in the face and says "Why though? Fuck that! Show yourself off and take up space!"
Harvey (continued): It got so many compliments on the carpet! And it's to a T a Christian look, but also very much me, because we collaborated in what that would look like and how I want that on my body, how it looks on my body, because what looks good on me may not look good on someone else. But it's knowing what your best assets are and what you're showing off, and what you want to show off. Because that's what's going to make you feel the most comfortable, when you're showing off something that you love about yourself.
Samantha: That's literally what I tell my clients! You feel the best you've ever looked in your life when everything just fits you perfectly and shows off the best parts of your body that you like the most. It's not about hiding, it's about amplifying.
Harvey: Yeah, exactly.
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Thank you so much to both Samantha and Harvey for this wonderful conversation on IG Live! It was truly a joy to witness it and get more insight into Harvey's thoughts on fashion and style.
If you're interested in Samantha's designs (including her OFMD-themed makeup pallets!), check out her website here. And you can find WWDITS-themed Harvey-approved merch at his website here!
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spoiled-fawn · 1 year ago
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John Price; Drop Everything Now.
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Part 2
CW: PTSD, Songfic inspired by "Sparks Fly" (Not in a cringe way I promise)
GN!Reader who is a sergeant on TF141. WC: 2,262
AN: I needed to post this before I completely tore it apart (again) and decided to scrap it. LMK if you'd like a part two because I have a good chunk of it but unsure if I'd like to continue this since I want the PTSD to linger and not be just diminished because reader is love of his life (I'd like to at least try to have some realism, rip). This was actually created for a test run of writing PTSD so I am happy to take any constructive criticism or tips for writing it. Hope you enjoy!
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Being stationed in the Middle East meant that you weren't used to much besides the hot sun baring down on every activity you did and dust storms that would blow over, which effectively made you shut your mouth to not breathe in the dirt. However, that didn’t mean that Mother Nature would not bless the dry lands with an ounce of rain every once in a while. 
You wouldn’t know about the rain usually unless you were outside training or on a mission when the dark clouds would roll in, giving you a rare break from the sun. Other times, the clouds would cover the stars and moon in the night sky, but you wouldn't be able to tell just what kind of clouds they were. 
And that, unfortunately, is how tonight is going without your knowledge.
The rain was never an issue on base, its greatest hindrance being the lack of vision, the annoyance of getting wet, and the general time it would take to wait it out. However, there was always the unspoken thought of the thunderstorms that could arise. 
You’ve served two years within TF141 as a sergeant, having been recruited and transferred to be on base under Price’s command. Now having some experience under your belt, you’ve seen a thing or two- but nothing compared to your superiors.
From an external point of view and reflection on yourself, it brings a possibility that your mind has yet to realize if the memories are getting trapped within yourself. Your nervous system may have gotten stuck in the past at a few points in time, but while you remain living in the action, your biggest symptom is nightmares and anxiety that you brush off each time.
The same can’t be said for your Captain.
Price, with his two decades of service, has lived through more than you could ever imagine and things he wishes to not recall. He plays the classic tough guy act, brushing his emotions off as something he can deal with when he’s home and not deployed- nor does he want to even believe they are necessary to process, his ways still being a bit old-fashioned.
When you were recruited, his viewpoint shifted a bit. Price wasn’t sure that you would be a good fit within the team, and debated putting you on a platoon further down the branch that he still oversaw from time to time. Yet, during your grace period, he would check up on you- being sure to debrief with you after long days of training exercises or drills that were getting harder and harder. When you had proven your worth to him and the team, an unspoken agreement between you two was formed. You would casually reside in his presence but keep it under the notion of him offering guidance to the rookie. This often resulted in you filling out reports or paperwork on your laptop in his office while he worked at his desk.
Price was not a sharer of his inner turmoil. But, sometimes, you would confide in him and he would allow a sliver of a softer man to peak out in the late hours of the night.
That's how the deeper part of your relationship worked with him. Hard-ass by day, and a mildly reserved man by late night. You’re close with the entirety of the team, but you’ve always had an attraction to Price, classically never trying to show it or verbalize it to anyone. Yet, you had a good hunch that he already knew from your softened behavior towards him when the veil of superior and subordinate came down to friends in the dark glow of his office.
You knew it was a bad idea to ever indulge yourself in having his attention and reciprocating it, but now you over-indulged for the last year and find yourself with a cavity at the sweetness you suck from his words. Your mind is always left in a trance on any touch he unknowingly spoiled you with; a hand to the small of your back, adjusting your elbows if you were using a heavier loadout during training, or a pat on the head after a job well done.
Tonight, the storm rolls in with thunder chasing right behind it. 
It's late in the evening as you stand in the common room, having had dinner late, and washing the dishes while quietly humming to yourself. The subconscious part of your mind notices the flashes of lightning and deep thunder that penetrate the barriers of the base but leaving it as a non-threat. You wash your dinner plate, moving the sponge around, but before you can put the plate down to dry, your phone rings with a call from Price. 
It's not unusual for him to call when he decides he’d like your presence while completing paperwork, yet your eyebrows furrow as you see the time to be later in the night than his usual request.
Before you can even speak into the phone after answering, your ear is polluted with the sound of his ragged breaths; the sound of rain hitting the ground is amplified more than what you hear while being inside. It sends a roll of skin-prickling anxiety down your spine as your eyes widen. “Price?” You ask after a blink, trying to understand what this call could be.
You hear it when he speaks, a tremor in the back of his throat and you can imagine the adrenaline-crazed look on his face. The sound of your name is called from him, and it almost sounds questioning, as if he isn't sure it's you, even though he called.
“I- I don’t know where I am…” He pants out, sounding choked up, trying to swallow air and the lack of saliva in his throat while in the pouring rain.
Drop everything now
Without a second thought, you drop the plate, the clatter of it breaking once hitting the ground echoes in the common room and snaps everyone's attention on you. Not having any need for apologies or reason, your body is already supplying the adrenaline needed to set into a dead sprint out of the common room as you weave past the other bodies to push through the hallway and enter the stairwell with the clamor of the metal doors swinging open.
“John, where are you- tell me what you see.” You call out as your body gets set on autopilot, practically flying down the stairs of the barracks and onto the ground floor moving into the hallways. “Do you see the training yard or do you see a road?” You pant out while pushing to find the exit door of the base.
It's here and now, that you now actively recognize the roll and clap of thunder as if it's taunting you to hurry up and find Price before it does.
But it seems it already has.
Each door, person, and corner you pass feels like a deliberate obstacle, frustrating you as you try to get outside faster.
“I- I see a road and the-” He’s interrupted by a bright flash, a strong shake of thunder following right after, and you hear him grunt in aggravation at the sound he lacks control over. With a call of your name, he makes a quiet plea. “Please, I need you here. Now.” He manages to ground out with a sharp breath, causing you to almost second guess yourself at what he said. 
You bank a hard left, towards the East entrance, finding the door to take you outside towards the main road that leads to the base's entrance. Shouldering the large door, you grit your teeth while taking the metal harshly against yourself, but almost come to a halt when you feel the pouring rain pelt on your body.
Meet me in the pouring rain
“Please.” His voice shakes again through the phone, and the rasp from his panting re-escalates the adrenaline through your body.
It breaks your heart to hear him sound like this as if he’s succumbing to his demons. “John, I’m gonna find you but you need to help me, ok?” You ask as your legs begin to burn from the force that you run through the damp earth with. “-you see the flag pole? ” You bark out while another flash of lightning crosses the sky, closing your eyes as you wince. “Hey- listen to me, focus on me.” You command, praying that he isn’t locked inside his memories.
After a moment, “Y- Yes, I see it. The- the rains comin’ down hard- won't fucking stop.”
The shake in his voice is back; he’s shivering and his irritability is beginning to build up faster as it makes itself evident the longer he stays held within the turmoil of his nervous system.
Running and finally entering the main yard after having had to cut through the detached buildings to make it to the front, you place your free hand over your eyes to try and gain some semblance of visibility while the flashes of lightning aid for a moment.
“Meet me there. It’ll be just you and me, only us.” You pleaded with a hint of firmness, needing to direct him as you move with haste towards the lit flagpole, the light being a beacon through the pelting rain.
While running in the dark and wet ground, you lose footing and slide your foot into loose gravel; your right elbow is now scraped while you clatter to the ground with a “Fuck-” Your voice breaks through the night air, as your yelp of pain staccatos out in the silence between the flash of light and complimenting rumble of thunder. 
In a moment before you can stand up, you hear your name being yelled out, whipping your head up in response. The raw tenacity of his voice through the thrumming of rainfall hits when there is no other force of the storm that can distract either of you.
Your gazes find each other; he looks frozen for a moment, then immediately runs to you.
“John-“ falls past your lips in a cry when you spot him. His fatigues stick to his body, his hair wet and bucket hat long gone. Making his way hurriedly, his body slows with unexpected grace as he helps you to your feet. Almost as if in a hurried frenzy, you latch onto him by his arms, blinking through the falling rain as you look up and search his face. 
The expression he wears, as he makes sure you’re alright, contradicts the voice he had just seconds earlier; his eyebrows furrowed with worry as he checks over you, quickly placing his large hands on your ribs to stand you upright as if you are a toddler who has just taken a tumble.
“Bloody- You alrigh’ sweetheart?” He asks as the warmth of his panting breath fans across your face while pulling you up against him.
“I’m ok, I just slipped from the rain. Thank you.” You speak while still holding him tight, latching onto him. Your heart aches at seeing him care for you no matter where his mind places him, always putting others before himself.
John nods, letting out a small sigh. The feeling of your warmth against his chest brings him back down as he looks over you, trying to blink the anxiety and rain from his eyes. The feeling of his hands, cold and now gentle, glides up to move the wet hair from your eyes. It surprises you for a moment as he stays completely silent besides the tremoring breaths he takes.
At the silence, you let a small huff of laughter escape before closing your eyes and giving a smile in relief at having him in your sight and arms, before fluttering your eyes open to gaze up at him. 
You return the gesture when you move your hand to wipe his hair off of his forehead, the rain having matted it down to his skin. “With me as I’m with you. Always with you, John.” The lull of your voice surprises both of you as it can be heard perfectly in the rain, with no sign of thunder or lightning interrupting your words. 
John cups the base of your skull, looking at the raindrops that fall in small splashes and trails along your face. His eyes dilate when focused on you, the sight of him this close and his icy blue eyes keep steadfast on you, leaving a haunting mark on your memory and heart.
He moves his head down to meet yours; pausing for a moment as if he isn't sure this is real- he isn’t sure that this isn’t a dream and his mind is granting him a wish. Is this a true trick of his mind? This can't be a memory, surely-
He looks as if he’s in pain, so you take the last leap of faith for him.
The new and added warmth of his lips on yours is tender. It contrasts the rough environment of where you stand, the life you both live and the constant battles faced within. Your arms and his alike move to wrap around each other in a harsh and tight embrace.
As the raindrops fall all over both your faces, you feel as if you’re in a movie and the climax has just hit when the lovers are united.
You both are soaking wet, but neither of you seems to mind. He pulls you back into him, deepening the kiss with a determined and desperate force.
Kiss me on the sidewalk
Take away the pain.
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tigreblvnc · 3 months ago
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BLUE LOCK MATCHUP — @krowedes
Your match is...
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— Karasu Tabito
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✦ For you, my decision didn’t take long to arrive.
✦ Usually, when I make matchups, I keep in mind the characters' preferences regarding the qualities they like, what stimulates them, or what could create an interesting chemistry.
✦ Eventually, one of them ends up stepping up to the starting line when I read something that makes me think, "Ah! I know who I’m going to pair you with."
✦ And this time, it didn’t take long, and for the first time since I’ve been doing matchups, it’s our crow boy who took off from the starting blocks.
✦ (I’m thrilled because I think he’s one of the coolest characters in the entire manga)
✦ From memory, Karasu is attracted to strong, intelligent personalities who know what they want and won’t give up. Lions thrown onto the battlefield who aren’t afraid to take the plunge and can make decisions quickly.
✦ "I see myself as someone who is very decided. If I have a dream or a goal, every decision and every move I'd make will be made all so that I could make my path toward that goal easier and smoother." Well, that's exactly the kind of temperament that can leave a strong impression on him. Someone who doesn’t give up and fights to the end, methodically, without losing sight of their goal.
✦ Because there are those who rush in without a plan. But the ones Karasu prefers are those who have thought their plan through well in advance, taking into account all possible parameters. Since he’s of the same caliber, it means he’s facing someone who could potentially challenge him, and he likes that.
✦ I see him mainly in a relationship of balanced rivalry, you know, where it could tip at any moment.
✦ "My tongue is loose, and that makes me unafraid to share my opinions, even if said opinion is harsh." Yes, again, I don’t see him getting attached to someone shy who can’t assert themselves.
✦ "I’m also very fond of sweets and eating meat – I could eat on and on and on without gaining weight, which is a huge win for me, especially in all-you-can-eat restaurants." Oh dear, you’re speaking to my carnivore heart... Out in public, we’ve seen Karasu well-dressed and liking to talk business, so to me, he’s clearly someone who has his head on straight and knows how to handle his affairs to generate profit. In other words, like Reo, he’s business-oriented and knows how to manage his finances. So five-star restaurants with all-you-can-eat buffets, exceptional cuts of meat cooked by award-winning chefs; he knows them and knows where to take you.
✦ "BECAUSE I DO NOT LIKE COOKING" Haha, that’s why you go out to eat so often.
✦ "I also like dressing up a lot and putting on makeup that is vibrant and shiny, so much to the point that I have an Instagram account that I use to track all of the makeup styles that I do." But isn’t that how you met? I imagine Karasu more on the casual chic side in terms of fashion. He’s rather sporadic on social media but follows carefully selected accounts, and I can see him talking about big brands or things like that with the people he follows.
✦ For me, his use of social media is to keep up with sports and business news, but also to stay on top of luxury products, clothing, furniture, and maybe even cars because he likes traveling on Japan’s highways (no joke, they have super convenient rest stops with incredible and massive shopping centers).
✦ I’m sensitive to the way texts are written, and I can sense a lot of pep and curiosity behind your words! These are qualities Karasu would really appreciate. He needs someone dynamic and adventurous. At the same time, not someone who’s always hyper because I see him also having his moments of solitude, even though he’s very grounded in the real world.
✦ And because the idea obsesses me, yes, you and Karasu regularly go on road trips across the country to find the most beautiful landscapes (often with the idea of posting the photos on Instagram because honestly: they’re too beautiful). You’re the couple, you know, who takes a selfie together while wearing sunglasses, with the beach and seagulls behind you.
✦ As cliché as it might sound, you exude luxury.
✦ And at the same time, you’re the couple friends love inviting to parties because besides being super well-dressed, you’re cool, laid-back, and have that touch of sarcastic humor on your tongue when something happens. Even when nothing happens.
✦ (I’m sure Karasu would love wearing Lacoste) (The polos and the cologne)
✦ (The pair of sunglasses tucked into the shirt collar...)
✦ (Really the slightly bourgeois but cool couple, and that’s what makes the difference)
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A word about your match: No hesitation really, the crow showed up on his own and never left.
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© TIGREBLVNC 2024 | AUGUST '24 MATCHUPS EDITION.
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shiftertech · 1 year ago
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It usually starts as a sinking feeling in my gut. Unconsciously I curl my fingers, digging into the mattress and seeking a certain sensation. If I had the propensity for it, maybe I'd start tearing up, but even after getting on that estrogen/antiandrogen cocktail, it was still highly conditional. Instead I end up burying my face into a soft pillow and nuzzle into it. My body settles into the covers. I'm probably going to be here for a while.
The offending content is half of the time very unassuming at first, but something about it (maybe the detail work in the fur, or the tugging brutality of wicked claws emerging from twitching fingertips), give me pause. I want to reach out—want to be this thing. And then there's this oh-so-familiar blanket of isolation that prevents this feeling from growing out of control and consuming me to hopelessness. I can name them if you haven't figured it out: yearning, desire and envy.
It's really not one of those things I can just put down and forget about. It's something that stuck with me even after entertaining it in every fashion imaginable. When the excuses for intense interest blended between simple intrigue—to artistic appreciation—to something more fetishistic and isolatingly shameful—to a strong feeling that cannot be refuted or lessened from an undeniable discrepancy from humanity.
One doesn't stay feverishly stuck on an idea for well over a decade and pass it off as an idle fancy. Not one like this. Not with how this feels. Not when my heart beats faster everytime I see a depiction of a body contorting in a particular way. Not when words can reduce me to a lump under the covers imagining them in vivid detail as the character of transformative focus is who I become for a small period of time. I'll take this brief release. It's so damn good.
At some point when dealing with strong and affecting emotions, we stumble across different mechanisms for coping with them. In this very particular case of mine, I found it in very active affirmations. As it turns out, if you stretch a muscle, and bend the mind, things can become very convincing.
I feel like this calls for a demonstration, so I invite you to slip into my body for a moment. Let my references to self become references to your own self. Let's begin with the muscles.
Lazily I roll over onto my stomach, eyes squeezed shut as I let my arms extend forward of me. This will be more much comfortable for what's to come, and with a safisfied hum, my wrist rotates downwards into the soft ground. The resistance against this downward push of my hands is the first key stretch, but if we are to get anywhere, I need to feel this stretch go all the way down from my wrists to fingertips. Bending my fingers back at their first knuckles while flexing them forward at their tips to dig into the ground does the trick. Depending on how I'm feeling, I may pull my thumbs as far back as I can, almost as if I was trying to tuck them away into my hands but not quite there yet. I like to let my hands and fingers twitch a bit to help with the sensations. I focus on that lovely stretch, making sure it's just at the edge of hurting but not quite, and it's very pleasant. It can be even better once I get the mind involved.
(Loosen up a bit, suspend your disbelief. The key here is that if you think you're feeling something, you are. Believe it, without a shadow of a doubt. Doubt is your enemy here. The question of, "is this working?" need only be answered with "yes, of course, silly.")
I feel the stretch of my hands tug at tendons and bones and skin, from the base of the fingers they extend excruciatingly slowly away from my wrists and palms. While my eyes stay shut, I just know if I was to open them, I'd see the uncannily distorted visage of a hand, lengthening in size while my fingers are gradually consumed by encroaching skin, binding their movement somewhat. They plump up slightly feeling oddly pudgy against the ground below as I feel my fingertips push harder into the surface.
There are three parts to what has happened so far in the mind. I identified an internal sensation, supported it with a visual description, and grounded it with an external sensation (in this case, the actual ground). Let's continue. I get antsy when I stop mid-change.
Prickling points count numerous across the back of my misshapen hand, starting as a barely noticeable warmth under the skin before they bloom into patchy waves of itchy heat. Sprouting bristles curl out from beneath my stretched skin in what is reminsicent of stubble. As they grow, they arrange themselves into slightly scraggly patches of cream colored fur. A feverish heat envelops my hands, as the remaining gaps between patches are filled out. I can feel my fur brush against the ground and am accutely aware of a miniscule tug across my skin where disturbed fur connects.
With another flex, I dig my not-quite-fingers further into the ground. With time they've grown plump in some areas while in others the knuckles shape the fur around around them. I know if someone were to see them, they'd think them to be unmistakably canine digits, and that sends a thrill through me. I can feel the thickening at the bottoms of these digits of rough pads bubbling from roughened skin. I can feel the lovely way they deform against the ground, squishing out to the sides ever so slightly.
The change is awfully slow, the strain on my muscles becoming a rising burn that I relieve with a quick relaxation and retensing of my paws—yes, paws. To call them anything else when I can feel how much potential rests within each, the power pulsing in waves down to their very ends. I want to use that power. I want to feel the release of it. I dig the digits in further and feel spiking pressure where blunt nails are rapidly feeling thicker and thicker. I'd describe the sensation as a fascinatingly grotesque sliding of bone from between my own skin. I feel that in the claws which emmerge from my digits, curling wickedly into blunted points.
Euphoric. Absolutely euphoric feeling my claws sink into the ground, my mattress. I feel the piercing sensation with each pressure against the weak material. Every drag of a paw against it tugs gloriously at the base of each sunken claw, tearing right through. I push myself up on my new paws and feel the way the weight shifts on the pads of them. It's perfect, it's everything. I want to go further, make all of me just like these wonderful paws. For sake of demonstrative brevity, I'll leave it at that. I'll be content and lay my head onto these soft paws of mine.
If you did do what I suggested and let yourself become me for this demonstration, hold onto those sensations you may be experiencing, the form and feeling of it. They are very real right now if you let them be. If you wish to let them go, it's as easy as releasing held posture and the paws will quickly revert back to whatever form they took previously. Of course, anything fades with time, so you may start to feel your grasp on these paws of ours slipping and fading. That's alright, it's easy enough to start again from the top. You can stop reading here if you really don't want to lose them.
This is my form of active affirmations in a nutshell. When I don't have a physical method of affirmation (attire, visual aids like VR, etc.), this works wonders without needing anything else. I can apply it all across the body, recontextualizing sensations to new shapes and sizes. It doesn't fix things. It doesn't forever sate the yearning. I still look for the next best way to feel closer to what I wish to be. But this helps. At the very least, that next time that I stumble into something and find myself craving to be beastly, or cuddly, or what have you, I have the tools to satisfy that craving if I have focus and patience.
I remember many nights years and years ago when I'd be reaching for the exact same goal desperately. I'd be chasing a sensation, hunting for a deep satisfaction, and missing the mark by hairs. Hypnosis files, meditation attempts, induced lucid dreaming, among other methods.
Is it odd to not have ever experienced a sensation and yet know it intimately all the same? It feels almost torturous in a way. Knowing and getting close, but never properly experiencing it. Merely imitations, even if visceral ones.
To add to the cruelty is the failing focus of the mind to hold onto an experience and its resulting sensations. It fades like a dream, slipping between one's metaphorical fingers and leaving the faintest of traces that it even occured.
Let me make some assurances in light of this. Even as the dream fades, as paws fizzle out back into fleshy hands, it doesn't mean that it wasn't real to you. You still experienced it, possibly viscerally, and that's a beautiful thing. What's real and what isn't in the realm of personally percieved physical realities is purely up to you. You are whatever you wish to be, and if you can induce a sensation, that sensation was very much so part of your reality. You had paws, sweetheart! You still can have them if you let yourself seek it out again. It's all up to you.
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onepiece-oc-archives · 8 months ago
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Heyy, any tips for dressing OCs? I struggle a lot coming up with outfits that look unique while looking like it fits in with the rest of the characters and the world.
Hi, thanks so much for your ask! Boy oh boy do I have tips for you, so buckle up! I'll try to keep this as straightforward as possible, but if you get lost on the way, I'll give examples at the bottom of the post.
First of all, it's important to have a feel for the character's personal style. One of the first things I do for every new OC I create is usually to hop onto Pinterest and make an aesthetic board for them because it just helps with so many things. Sometimes, you'll just stumble across the main design detail of your OC on accident! For example, my OC Aurelia's signature claws just showed up when I searched "gold aesthetic", and I decided that this was the way to go.
But let's go back: How do I even know what to search for? Well, you might want to have a basic concept for your character. What are their inspirations? What is their background? Do they prefer clothes that are more practical or more stylish? Do they have any signature colors? How do they come off in the eyes of other people and does that match their fashion sense? How rich are they?
The last point may be helpful to get a basic idea but, in the end, it doesn't have to be the deciding factor. Let's take the Straw Hats, for example. At the start of the story, they're not exactly rich. Still, both Sanji and Nami are walking around with nice clothes. Nami steals her clothes or bargains with (or threatens) the vendor until they give her a huge discount. Sanji, meanwhile, probably had a good bit of money before he left Baratie since it was a fairly successful restaurant, and I'm willing to bet that he probably only has one or two good jackets, so he might look high-end, but he's actually not very rich at all.
What I'm trying to say is: Knowing how your OC acquires your clothes can be a huge help both for their character design and for fleshing out their story.
Otherwise, just throw anything about your OC you can think of into Pinterest's search bar, glue "outfit" or "aesthetic" to it, and you'll probably find some good inspo for your OC's clothing style.
Now that you have an idea of their fashion sense, time to make it fit in!
I'll be the first to admit, the early animanga art style doesn't really leave a lot open for detailed character design, but once you get further into the story, you can practically go completely wild.
The first thing I'd think about is: What's your OC's place in the world? Are they a Marine? Great! You can draw them in uniform! A noble? What culture is their kingdom inspired by? A pirate? What are their crewmates dressed like? After all, some crews practically have their own version of a uniform or at least a theme.
In the end, someone's clothes "fitting in" probably isn't as much of an issue as you think. Yes, the Straw Hats' outfits look pretty simple in the early animanga episodes, but... take one look at OPLA or even try imagining their outfits in real life and you'll figure out at that isn't necessarily the case. They're just simply drawn because it's a simple art style. One Piece is such a diverse world that almost anything goes. You can go surprisingly far into sci-fi or steampunk or historical, whatever you like, if you play around with it a little.
A thing that I like to do is to take inspiration from the characters that my OC is close to. The Straw Hats are especially great here because, for a lot of story arcs, their clothes collectively have a theme, but they still manage to be individual and unique. How?
The details. It's all in the details. Even if your OC is a Marine, you can make them unique through the details. Think about Coby! How is Coby unique? Pink hair and those signature glasses! Most of the Straw Hats have one design detail that carries on throughout pretty much all of their outfits, be it an accessory, a color scheme, a pattern... Luffy has his straw hat, obviously. Zoro has his swords, earrings and bandana. Nami has circles and stripes. Usopp loves himself some overalls and, in the animanga, his goggles. Sanji almost always wears a suit or at least a dress shirt and, if he doesn't, the outfit is most likely blue. Think about how this works for your OC. What's the one detail that carries on throughout all of their outfits? That's what makes them unique and recognizable.
But details can also help tie your OC into the greater world. Remember that you are an artist making character design and you're free to throw in as many easter eggs as you want. They can really add to an outfit. Adopt an accessory from a character that your OC is close to! Make the pattern of their clothes a nod to someone or something or someplace else! That's what brings your OC to life because it's what people do. We steal each other's clothes, we buy matching outfits, we unintentionally and subconsciously pick up on or play off of other people's sense of style... It's a natural process, maybe even a sign of love, and it's one of my favourite things to see in art or character design.
To maybe put this all into perspective, let me walk you through how I came up with the outfits for two of my OCs, from two different backgrounds and parts of the world.
OC no. 1 is my beloved Akaito Coraline. Cora is a tailor of considerable fame throughout the East Blue and ends up joining the Straw Hats because she's childhood friends with Sanji. Finally, she ends up dating both Sanji and Zoro.
Practically the first design detail I had about her was a nod to her family, because her family and their tailoring tradition is a very important part of Cora's character. So, it was decided that she would have a sewing needle pierced through her ear. Her profession as a tailor also made it pretty self-explanatory to me that she would prefer clothes that are, well, tailored, and she most likely makes all of her clothes herself. So, she could wear fitted blouses and other fairly intricate or expensive stuff without actually being rich or being able to go shopping often because she can sew those clothes herself - which is also a lot cheaper. It also occurred to me that Cora would have a love of fashion and would probably put fashion over functionality in her outfits. Because of her backstory, I also knew that she would keep her back covered. Lastly, as a pirate, she would have to have some kind of weapon, and I decided on a rapier, because it's elegant, feminine, fashionable, and long and pointed like a sewing needle.
In the end, I threw all of those things together, picked reference images from Pinterest, slapped them into my drawing program, and, through trial and error, came up with this:
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Base by Hevis-Swan on DeviantArt by the way - use and credit bases, kids, it really helps!
We've got the sewing needle through the ear and one of Zoro's earrings to link her to him. We've got a form-fitted blouse and vest where I made sure to actually draw the different panels so you could have an idea of the sewing process. The black things on her sleeves are sleeve garters, which are meant to hold your sleeves up while you work, and I figured Cora might wear them as one of the few things she wears for practicality's sake - but they're also made of lace because she loves her fashion. The idea to have her wear pants was more of an afterthought because I absolutely wanted the holster for her scissors, but the pants are based off a pair that I own myself! The belt is based off of historically accurate belts used to hold rapiers in the 16th and 17th century. Those boot covers are extremely impractical to button up, showing Cora's "fashion over function" principle. Finally, she wears heels because she's short and likes the extra height, and the anklet is a gift from Sanji, hence the blue and silver.
On a different note, we have OC no. 2: Dracule Aurelia, the wife of Dracule Mihawk. If you've ever seen Mihawk, you know that he's one fancy man, and the same applies for Aurelia. She is rich, filthy rich, and she's an incredibly powerful pirate. Her vibe is that of a mafia boss, a femme fatale, of power and deadliness through beauty. Her epithet is "Black Widow" because all of her lovers keep dying one way or another. Either by her hand or through other mysterious circumstances.
With those things in mind, I was already pretty sure of how I wanted to draw Aurelia and what clothes she should wear. "Aurelia" roughly means "the golden one" and, combined with her incredible wealth, that already guaranteed that she'd be wearing a lot of gold. Secondly, I knew her clothes had to be sexy. There's no other way to put it; she had to be turning heads. She also needed to be able to kick people in the nose. And lastly, I wanted it to be easy to see that her and Mihawk were married, so I took a lot of inspiration from him.
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Bases by Fluffy-foxgirl and Alex-Hime on DeviantArt
This outfit is essentially one big easter egg hunt. The flower symbol is found on Mihawk's sleeve, the long coat is inspired by Mihawk and the collar is both a reference to him and Aurelia's father (whom I will not name here for spoiler reasons), she wears crosses just like Mihawk, the feathers on her headpiece are a nod to the feathers on Mihawk's hat, the petal-like sleeves are a nod to the island she's from... But the outfit is still 100% her! The way everything is very revealing, the gold chains, the claws, the high slit, the dagger with the spider in its pommel...
So yeah! I hope this helped at least a little. Hope you're having a wonderful day! ^^
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taggedmemes · 1 year ago
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SENTENCE MEME ⟶ IDK HOW BUT THEY FOUND ME / RAZZMATAZZ always feel free to tweak the sentence to fit your muse.
"Big shot, so what?"
"You took the money but the money couldn't buy a friend."
"I want you to leave me alone."
"They say the devil that you know is better than the devil that you don't."
"You're a big shot here but nobody else knows."
"Go fly a kite until you're tangled in the hanging tree."
"Four in the morning but we've having such a lovely time."
"Mad as a hatter with a dagger and a dollar sign."
"Tip your hat and break your mother's heart."
"When the sun comes up you'll find a brand new god."
"You'll never gonna stop me."
"I'm never gonna quit."
"Lose yourself inside the city."
"Lose your mind inside the week."
"We can live while we're alive."
"Come inside, twist the knife."
"I'm a voluntary victim."
"Watch your colonial tongue."
"I'll watch you tighten the noose."
"Don't you lose all your control."
"You can't get into heaven if you haven't got a soul."
"They'll replace you with machines."
"Paralyzed by the sum of your parts."
"Abstract with a human heart."
"I'm captivated, but I'm so confused."
"Come and see the opening band."
"No one likes an opening band."
"Chances are they won't go far."
"Career is sure to end."
"Unfamiliar things will make us nervous."
"You've got the devil on your shoulder."
"You better shut your mouth just like I told ya."
"You've been controlling me through fiction."
"I got to break you like a bad addiction."
"I can't say no, I'm losing control."
"I'm having bad dreams."
"Nothing you can do will keep the bad things away from me."
"Despite your good intentions."
"I am just the new invention."
"Feels like you're running out of holy places."
"It's a miracle I'm standing."
"You're dragging me back."
"You're beautiful and evil too."
"You're sinister and vile."
"For you I'd die, or kill myself."
"I'd swing from the gallows and wave."
"I'd carousel into my grave."
"You're right down vicious."
"I can't help it, but I still wish I was with you."
"I'm a teenage beauty queen of sorts."
"I'm calculated, cold, without remorse."
"Only if you'd like me, I could fall in love with you."
"You're a holy quarantine."
"Could it be that it's only in my head."
"Give me something more for my wild imagination."
"Tell me that you're more than a sick fascination."
"You're with me all the time."
"I don't care about anything at all."
"I know that girls like you don't come with guarantees."
"You've got to spend your time, won't you spend it with me?"
"I hope we kiss goodnight."
"It might just end my life."
"I'll be a gentleman, or you can show me the door."
"I don't want to spend my life with anyone else."
"Pardon me if I forget your name."
"Is that any way to talk to me."
"Corrupting the young with your uncivil tongue."
"What a shame if you misspeak now."
"I need you here."
"There is no other place in the world I would rather be."
"Can't you stay right here forever, pretty please?"
"Where do you go when you're not home?"
"If I'm out of line, just show me the door."
"Don't hold your breath for goodness sake."
"You've got parliaments filled with parasites."
"Let's go paint the town on our way home."
"The blinking lights are breaking bones."
"Then you have that good old fashioned razzmatazz."
"You broke my heart again."
"Some things just cannot be fixed with sparkled tongues and politcs."
"In a fascist little paradox, we all become anonymous."
"I would say I'm sorry if I thought that it would change your mind."
"I know that this time I have said too much."
"I've been too unkind."
"I tried to laugh about it."
"I covered it all up with lies."
"I tried to laugh about it, hiding the tears in my eyes."
"Boys don't cry."
"I would break down at your feet and plead forgiveness, but I know it's too late."
"There's nothing I can do."
"I would tell you that I loved if I thought you would stay."
"I misjudged your limits."
"I pushed you too far."
"I took you for granted."
"I thought you needed me more."
"I would do most anything to get you back at my side."
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